Entre la academia y la crítica : la construcción discursiva y disciplinar de la historia del arte: Argentina, siglo XX / Sandra M. Szir, María Amalia García (editoras)

Format:

Book

Contributor:

Class of 1891 Department of Arts Fund.

Szir, Sandra M., editor.

García, María Amalia, editor.

Universidad Nacional de Tres de Febrero, sponsoring body.

Language:

English

Subjects (All):

Art criticism--Argentina--History--20th century.

Art criticism.

Artists--Argentina--20th century.

Artists.

History.

Argentina.

Physical Description:

340 pages : illustrations ; 23 cm

Edition:

Primera edición.

Place of Publication:

Buenos Aires : EDUNTREF, 2017.

Language Note:

In Spanish.

Summary:

The formation of art history as a discipline in Argentina, its main discursive constructions in academic research and in the practice of criticism from their textual productions (individual and collective publishing projects, journals). Relevant figures with registered activities in both fields, Julio E. Payró and Jorge Romero Brest, in the academic, Adolfo Rivera and Héctor Schenone, in criticism, such as Aldo Pellegrini and Julio Llinás, will all be considered. From the analysis of the discursive construction of art historical writing, we will attempt to reflect on the analytical perspectives or methods that allowed them to address Argentine art and its specificity; the notions of canon and aesthetic hierarchy from which the story of national art history and the categorizations that emerged around this concept and its distinctive features, its links with European or Latin American cities are all built. It will also explore the relationship between historiography, artistic production and the social, political and cultural context as well as the redefinition of the field that produced in recent years the expansion of the corpus to include other objects of visual culture.

The formation of art history as a discipline in Argentina, its main discursive constructions in academic research and in the practice of criticism from their textual productions (individual and collective publishing projects, journals). Relevant figures with registered activities in both fields, Julio E. Payró and Jorge Romero Brest, in the academic, Adolfo Rivera and Héctor Schenone, in criticism, such as Aldo Pellegrini and Julio Llinás, will all be considered. From the analysis of the discursive construction of art historical writing, we will attempt to reflect on the analytical perspectives or methods that allowed them to address Argentine art and its specificity; the notions of canon and aesthetic hierarchy from which the story of national art history and the categorizations that emerged around this concept and its distinctive features, its links with European or Latin American cities are all built. It will also explore the relationship between historiography, artistic production and the social, political and cultural context as well as the redefinition of the field that produced in recent years the expansion of the corpus to include other objects of visual culture.

Contents:

Eduardo Schiaffino / Marina Aguerre

José León Pagano / Sebastián Vidal Mackinson

Martin S. Noel / Martha Penhos

Damián Carlos Bayón / Isabel Plante

Alberto Rex González / Alejandra Alliaud

Marta Traba / María Amalia Garcia

Jorge Glusberg / Mariana Marchesi

Ángel Guido / Pablo Montini

Bonifacio Del Carril / Pablo Montini

Héctor Schenoe / Gabriela Siracusano

Adolfo Ruiz Ribera / Carla Guillermina García

José Emilio Burucúa / Ana Schwartzman

Alfredo Chiabra Acosta Atalayaʺ / Diana B. Wechsler

Julio E. Payró / Juan Cruz Andrada, Catalina Fara

Cayetano Córdova Iturburu / Talía Bermejo

Jorge Romero Brest / Silvia Dolinko

Ronaldo Brughetti / Cristina Rossi

Jorge Lopez Anaya / Natalia Pineau.

Notes:

Includes bibliographical references.

Local Notes:

Acquired for the Penn Libraries with assistance from the Class of 1891 Department of Arts Fund.

ISBN:

9789874151223

9874151226

OCLC:

1035408918