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Barroco ardente e sincrético : Luso-Afro-Brasileiro / curadoria, Emanoel Araujo.
Fine Arts Library N7933.A1 A4 2018
By Request
- Format:
- Book
- Language:
- Portuguese
- Subjects (All):
- Art, Baroque--Brazil--Exhibitions.
- Art, Baroque.
- Art, Brazilian--17th century--Exhibitions.
- Art, Brazilian.
- Art, Brazilian--18th century--Exhibitions.
- Christian art and symbolism--Brazil--Exhibitions.
- Christian art and symbolism.
- Brazil.
- Genre:
- Exhibition catalogs.
- Physical Description:
- 395 pages : illustrations (chiefly color), portraits ; 31 cm
- Other Title:
- Luso-Afro-Brasileiro
- Place of Publication:
- São Paulo, SP : Museu Afro Brasil, [2018]
- Summary:
- Curated by Emanoel Araujo, the exhibition - which also pays homage to the 300 year anniversary of Our Lady of Aparecida (São Paulo, Brazil), the patron saint of Brazil - comprises close to 400 art works representing baroque references in the academic and popular cultures of Brazil, Portugal and Africa, between the 17th and 19th centuries. Focused on the varied manifestations of the artistic style in Portugal and Brazil with emphasis on its Afro-Brazilian and European heritage, the catalogue comprises sculptures (terracota, ivory, and full wood polichromated), oratories, pulpits, stone and wood carvings, altarpieces, tiles, silverware, porcelain and paintings of artists fundamental for the understanding of the Luso-Brasilian baroque movement such as Francisco dos Santos Xavier (1739-1814), known as Xavier das Conchas, José Joaquim da Rocha (1737-1807), Joaquim José da Natividade (1771 -1841), Leandro Joaquim (1738-1798), José Patrício da Silva Manso (1753-1801), Frei Agostinho da Piedade, OSB (? - 1661), Frei Jesuíno do Monte Carmelo (1764-1819), José Teófilo de Jesus (1758-1847) and Antônio Joaquim Franco Velasco (1780-1883) amongst others.
- Curated by Emanoel Araujo, the exhibition - which also pays homage to the 300 year anniversary of Our Lady of Aparecida (São Paulo, Brazil), the patron saint of Brazil - comprises close to 400 art works representing baroque references in the academic and popular cultures of Brazil, Portugal and Africa, between the 17th and 19th centuries. Focused on the varied manifestations of the artistic style in Portugal and Brazil with emphasis on its Afro-Brazilian and European heritage, the catalogue comprises sculptures (terracota, ivory, and full wood polichromated), oratories, pulpits, stone and wood carvings, altarpieces, tiles, silverware, porcelain and paintings of artists fundamental for the understanding of the Luso-Brasilian baroque movement such as Francisco dos Santos Xavier (1739-1814), known as Xavier das Conchas, José Joaquim da Rocha (1737-1807), Joaquim José da Natividade (1771 -1841), Leandro Joaquim (1738-1798), José Patrício da Silva Manso (1753-1801), Frei Agostinho da Piedade, OSB (? - 1661), Frei Jesuíno do Monte Carmelo (1764-1819), José Teófilo de Jesus (1758-1847) and Antônio Joaquim Franco Velasco (1780-1883) amongst others.
- Curated by Emanoel Araujo, the exhibition - which also pays homage to the 300 year anniversary of Our Lady of Aparecida (SaÌo Paulo, Brazil), the patron saint of Brazil - comprises close to 400 art works representing baroque references in the academic and popular cultures of Brazil, Portugal and Africa, between the 17th and 19th centuries. Focused on the varied manifestations of the artistic style in Portugal and Brazil with emphasis on its Afro-Brazilian and European heritage, the catalogue comprises sculptures (terracota, ivory, and full wood polichromated), oratories, pulpits, stone and wood carvings, altarpieces, tiles, silverware, porcelain and paintings of artists fundamental for the understanding of the Luso-Brasilian baroque movement such as Francisco dos Santos Xavier (1739-1814), known as Xavier das Conchas, JoseÌ Joaquim da Rocha (1737-1807), Joaquim JoseÌ da Natividade (1771 -1841), Leandro Joaquim (1738-1798), JoseÌ PatriÌcio da Silva Manso (1753-1801), Frei Agostinho da Piedade, OSB (? - 1661), Frei JesuiÌno do Monte Carmelo (1764-1819), JoseÌ TeoÌfilo de Jesus (1758-1847) and AntoÌnio Joaquim Franco Velasco (1780-1883) amongst others.
- Contents:
- Barroco ardente e sincrético
- O poder transformador da cultura / Miguel Setas
- Barroco ardente e sincrético: Luso-Afro-Brasileiro / Emanoel Araújo
- Arquiteturas e as artes plásticas no século XVII Brasileiro / Myryam Andrade Ribeiro de Oliveira
- A expansão cultural do barroco / João Carlos Teixeira Gomes
- Dois barrocos nas letras / Fernando da Rocha Peres
- POEMAS
- Descrição da Ilha de Itaparica / Manuel de Santa Maria Itaparica
- A Ilha de Maré: termo de esta cidade de Bahia Silva / Manuel Botelho de Oliveira (1636-1711)
- Noticia sobre a pintura religiosa monumental no Brasil / Clarival do Padro Valladares
- Pintura ilusionista na Bahia / Percival Tirapeli
- Escultura colonial do Brasil / Dom Clemente Maria da Silva-Nigra, O.S.B.
- Xavier das conchas / Joaquim Manuel de Macedo
- O universo mágico do barroco brasileiro / Emanoel Araújo
- Notas sobre a prata e a mineração no Brasil / João Marino
- Cronologia no barroco do Brasil / Carlos Eugenio Marcondes di Moura
- Os revolucionários de 1798 / Luis Henrique Dias Tavares
- Palavras do soldado Luis Gonzaga no patíbulo.
- Notes:
- Includes bibliographical references.
- Local Notes:
- Published on the occasion of the exhibition held at Museu Afro Brasil in São Paulo, August 3, 2017 - March 3, 2018.
- Acquired for the Penn Libraries with assistance from the George R. Gund Memorial Fund.
- ISBN:
- 9788563972217
- 8563972219
- OCLC:
- 1042174473
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