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Araya / [a film by] Margot Benacerraf.

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Independent World Cinema: Classic and Contemporary Film. Available online

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Format:
Video
Contributor:
Cabrujas, José Ignacio, narrator.
Benacerraf, Margot, 1926- director.
Alexander Street Press.
Milestone Film & Video, production company.
Language:
Spanish
Subjects (All):
Salt mines and mining--Venezuela--Araya.
Salt mines and mining.
Araya (Venezuela)--Social life and customs--20th century.
Araya (Venezuela).
Araya (Venezuela)--Economic conditions.
Venezuela--Araya.
Genre:
Documentary films.
Video recordings.
Physical Description:
1 online resource (83 minutes)
Place of Publication:
[Harrington Park, New Jersey] : Milestone Films, [1959]
Language Note:
In Spanish.
System Details:
data file
Summary:
The restoration of Margot Benacerraf's brilliant film Araya is a landmark in cinema history. The film was hailed as a masterpiece of poetic cinema and a forerunner of feminist Latina cinema on it's re-release by Milestone. The peninsula of Araya in northeastern Venezuela, is one of the most arid places on earth. For five hundred years, since its discovery by the Spanish, the region's salt has been exploited manually. A 17th-century fortress built to protect against pirate raids stands as a reminder of the days when salt was worth almost as much as gold and great fortunes were made. Benacerraf captures the life of the salineros and their back-breaking work in breathtaking images. The Peredas family works at night in the salt marshes, the Ortiz are fishermen and the Salaz collect salt. The three stories underline the harsh life of this region -- all of which vanished with the arrival of industrial exploitation. Araya was originally compared to Flaherty's Man of Aran, Visconti's La Terra Trema (1947) and Rossellini's India (1957). Margot Benacerraf has described the film as "a cinematic narration based on script writing rather than a spontaneous action, a feature documentary, the opposite of Italian neorealism." A film of such lasting beauty that Jean Renoir told Benacerraf after seeing the film: "Above all ... don't cut a single image!"
Participant:
Narrated by: Jose Ignacio Cabrujas.
Notes:
Title from resource description page (viewed January 03, 2017).
Nominated 1959 Cannes Film Festival, Palme d'Or
OCLC:
971284372
Access Restriction:
Restricted for use by site license.

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