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From film practice to data process : production aesthetics and representational practices of a film industry in transition / Sarah Atkinson.

LIBRA PN1995.9.T43 A85 2018
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Format:
Book
Author/Creator:
Atkinson, Sarah, 1975- author.
Language:
English
Subjects (All):
Motion picture industry--Technological innovations--Great Britain.
Motion picture industry.
Motion pictures--Production and direction--Great Britain--Data processing.
Motion pictures.
Digital cinematography--Great Britain.
Digital cinematography.
Motion pictures--Aesthetics.
Digital media--Great Britain--Influence.
Digital media.
Ginger & Rosa.
Ginger and Rosa (Motion picture).
Motion pictures--Production and direction.
Motion picture industry--Technological innovations.
Great Britain.
Local Subjects:
Ginger and Rosa (Motion picture).
Physical Description:
xiv, 274 pages : illustrations (chiefly color) ; 24 cm
Place of Publication:
Edinburgh : Edinburgh University Press, [2018]
Summary:
To what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals? The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter's 2012 film 'Ginger & Rosa', and drawing upon interviews with international film industry practitioners, 'From Film Practice to Data Process' is a groundbreaking examination of film production in its totality, in a moment of profound change.
Contents:
Digital film production studies
Digital film production people
Digital film production time
Digital film production space
Digital film production representations
Digital film production preservation and access.
Notes:
Includes bibliographical references (pages [230]-253) and index.
Filmography: pages [225]-229.
ISBN:
9780748693580
0748693580
OCLC:
1019659057

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