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The Films of Oshima Nagisa : Images of a Japanese Iconoclast / Maureen Turim.

ACLS Humanities eBook Available online

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De Gruyter University of California Press eBook-Package Archive Pre-2000 Available online

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Format:
Book
Author/Creator:
Turim, Maureen Cheryn, 1951- author.
Contributor:
American Council of Learned Societies.
Series:
ACLS Humanities E-Book.
Language:
English
Subjects (All):
Ōshima, Nagisa, 1932---Criticism and interpretation.
Ōshima, Nagisa.
Motion picture producers and directors.
Physical Description:
1 online resource (x, 314 p. ) ill. ;
Edition:
First edition.
Place of Publication:
Berkeley : University of California Press, [1998]
Language Note:
In English.
Summary:
This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and political tensions of postwar Japan. Best known today for his controversial films In the Realm of the Senses and The Empire of Passion, Oshima engages issues of sexuality and power, domination and identity, which Maureen Turim explores in relation to psychoanalytic and postmodern theory. The films' complex representation of women in Japanese society receives detailed and careful scrutiny, as does their political engagement with the Japanese student movement, postwar anti-American sentiments, and critiques of Stalinist tendencies of the Left. Turim also considers Oshima's surprising comedies, his experimentation with Brechtian and avant-garde theatricality as well as reflexive textuality, and his essayist documentaries in this look at an artist's gifted and vital attempt to put his will on film.
Contents:
Frontmatter
CONTENTS
ACKNOWLEDGMENTS
CHAPTER ONE. Cultural Iconoclasm and Contexts of Innovation
CHAPTER TWO. Cruel Stories of Youth and Politics
CHAPTER THREE. Rituals, Desire, Death Leaving One's Will on Film
CHAPTER FOUR. Signs of Sexuality in Oshima's Tales of Passion
CHAPTER FIVE. Warring Subjects
CHAPTER SIX. Popular Song, Fantasies, and Comedies of Iconoclasm
CHAPTER SEVEN. Documents of Guilt and Empire
CHAPTER EIGHT. Feminist Troubles on a Map of Split Subjectivities
Conclusion: Whither Oshima?
FILMOGRAPHY
BIBLIOGRAPHY
INDEX
Notes:
Includes bibliographical references (p. 291-297) and index.
Description based on print version record.
ISBN:
9780520918283
0520918282
9780585112992
0585112991
OCLC:
1149414638

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