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For a short time only : itinerants and the resurgence of popular culture in early America / Peter Benes.
EBSCOhost Academic eBook Collection (North America) Available online
EBSCOhost Academic eBook Collection (North America)EBSCOhost eBook Community College Collection Available online
EBSCOhost eBook Community College CollectionEBSCOhost eBook History Collection - North America Available online
EBSCOhost eBook History Collection - North AmericaEbscohost Ebooks University Press Collection (North America) Available online
Ebscohost Ebooks University Press Collection (North America)- Format:
- Book
- Author/Creator:
- Benes, Peter, author.
- Language:
- English
- Subjects (All):
- Sideshows--North America--History--18th century.
- Sideshows.
- Sideshows--North America--History--19th century.
- Itinerant entertainers--North America--History--18th century.
- Itinerant entertainers.
- Itinerant entertainers--North America--History--19th century.
- Popular culture--North America--History--18th century.
- Popular culture.
- Popular culture--North America--History--19th century.
- Physical Description:
- 1 online resource (532 pages) : illustrations
- Edition:
- 1st ed.
- Place of Publication:
- Amherst : University of Massachusetts Press, [2016]
- Summary:
- Winner of the 2017 Theatre Library Association's George Freedley Memorial Book Award By the 1740s, colonists living in North America began to encounter scores of itinerant performers from England and Europe. These show people--acrobats, wire dancers, tumblers, trick riders, painters, dancing-masters, waxworks proprietors, healers, and singing and language teachers--brought novelty and culture to remote areas. Advertising in newspapers, they attracted audiences with the hook of appearing "for a short time only." In this richly illustrated and deeply researched book, Peter Benes examines the rise of early American popular culture through the lives and work of itinerants who circulated in British North America and the United States from the late seventeenth through the early nineteenth century. Although they were frequently reviled as quacks and absconders by many provincials, these transients enjoyed a unique camaraderie and found audiences among high- and lowbrow alike. Drawing on contemporary diaries, letters, reminiscences, and hitherto inaccessible newspaper ads, broadsides, and images, Benes suggests why some elements of Europe's carnival and folklore traditions failed to gain acceptance in American society while others flourished brilliantly.
- Contents:
- Cover
- Title Page
- Copyright
- Dedication
- Contents
- Introduction
- Part I. The Tradition-Bearers
- 1. Itinerants and Popular Culture
- 2. Travel Routes and Circuits
- 3. A Legacy of Diversity, a Reputation for Distrust
- 4. Establishing a Public Presence
- 5. Acquiring Skills
- 6. The Impact of Images
- Part II. Some Early Strolling Practices
- 7. Street Performers
- 8. Tavern Entertainers I: Magic Lanternists
- 9. Tavern Entertainers II: Puppeteers, Ropedancers, Conjurers
- Part III. Itinerants Assume Schooled and Mannered Callings
- 10. Art of Psalmody
- 11. Musical Life
- 12. Pantomime Entertainment
- 13. A Time to Dance
- 14. Confronting the Professions
- Part IV. Popular Culture Flourishes in America, 1780-1825
- 15. Waxwork Museums
- 16. Public Painters
- 17. Taking Faces I: The Itinerant Portraitist
- 18. Taking Faces II: The Physiognotrace
- 19. The World of Automatons
- 20. Penmanship Schools
- Conclusion: America Comes of Age
- Part 1. Fading Carnival Texts in American Popular Culture
- Part 2. Itinerancy in the Antebellum Period
- Part 3. The Itinerant Legacy
- Notes
- Bibliography
- Acknowledgments
- Photo Credits
- Index
- About the Author
- Back Cover.
- Notes:
- Includes bibliographical references and index.
- Description based on print version record.
- ISBN:
- 1-61376-414-6
- OCLC:
- 963624576
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