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Technologies of the image : art in 19th-century Iran / edited by David J. Roxburgh and Mary McWilliams ; with contributions by Farshid Emami, Mary McWilliams, David J. Roxburgh, and Mira Xenia Schwerda.

Fine Arts Library N7280 .T37 2017
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Format:
Book
Author/Creator:
Emami, Farshid, author.
Schwerda, Mira Xenia, author.
Contributor:
Roxburgh, David J., editor, author.
McWilliams, Mary, 1954- editor, author.
Harvard Art Museums, host institution.
Lawrence H. Herring Memorial Fund.
Language:
English
Subjects (All):
Art, Iranian--Exhibitions.
Art, Iranian.
Islamic art--Iran--Exhibitions.
Islamic art.
Photography--Iran--Exhibitions.
Photography.
Painting, Iranian.
Lacquer and lacquering.
Iran.
Exhibitions.
Lacquer and lacquering--Iran--Exhibitions.
Painting, Iranian--Exhibitions.
Genre:
Exhibition catalogs.
Physical Description:
xviii, 173 pages : illustrations ; 29 cm
Distribution:
New Haven : Yale University Press.
Place of Publication:
Cambridge, Mass. : Harvard Art Museums, [2017]
Summary:
With a few notable exceptions, scholars have historically understudied and often underappreciated the art of Iran in the Qajar era (1779-1925). This catalogue presents a fresh take on the art of the period, setting aside the value judgments that shaped early responses to instead examine the effects and results of new technologies of representation across a variety of mediums. The book foregrounds the inherent relationship and movement among mediums and images, both traditional and new, while deflecting primary attention from royal patronage to more public and widely accessible forms of image-making. In bringing together four principal art forms--lacquer, painting and drawing on paper, lithography, and photography--the authors explore the separate and intertwined histories of these mediums, their contexts of production, and their means of dissemination across sectors of society ranging from the courtly elite to the citizenry at large. The book considers how the breadth of mediums and subject matters evidenced by these objects could be matched only by the diverse formats through which images were embodied and circulated in the world. Indeed, unlike their European contemporaries, Qajar artists and patrons were not concerned about systems of image duplication and translation--a key aspect this book takes up in its effort to approach Qajar art on its own terms, not as a lesser manifestation of Western ideals.
Contents:
Technologies of the image : art in 19th-century Iran / David J. Roxburgh
Qajar lacquer as a medium of exchange / Mary McWilliams
The lithographic image and its audiences / Farshid Emami
Iranian photography : from the court, to the studio, to the street / Mira Xenia Schwerda
Painting after photography in 19th-century Iran / David J. Roxburgh
Works in the exhibition.
Notes:
Maps on endpapers.
"This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018."
Includes bibliographical references (pages 159-165) and index.
Local Notes:
Acquired for the Penn Libraries with assistance from the Lawrence H. Herring Memorial Fund.
ISBN:
9781891771736
1891771736
9780300229196
0300229194
OCLC:
978252052

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