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Takashi Murakami : the octopus eats its own leg / edited by Michael Darling.

Fine Arts Library N7359.M87 A4 2017
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Format:
Book
Author/Creator:
Murakami, Takashi, 1962- artist.
Contributor:
Darling, Michael, editor.
Museum of Contemporary Art (Chicago, Ill.), host institution, issuing body.
Vancouver Art Gallery, host institution.
Modern Art Museum of Fort Worth, host institution.
Standardized Title:
Works. Selections
Language:
English
Subjects (All):
Murakami, Takashi, 1962---Exhibitions.
Murakami, Takashi.
Murakami, Takashi, 1962---Criticism and interpretation.
Murakami, Takashi, 1962-.
Postmodernism--Japan--21st century--Exhibitions.
Postmodernism.
Art, Japanese--21st century--Exhibitions.
Art, Japanese.
Criticism and interpretation.
Japan.
Genre:
Exhibition catalogs.
Illustrated works.
Physical Description:
286 pages : color illustrations ; 30 cm
Other Title:
Octopus eats its own leg
Place of Publication:
New York, NY : Skira Rizzoli Publications, Inc. ; Chicago, IL : Museum of Contemporary Art Chicago ; Tokyo, Japan : Kaikai Kiki Co., Ltd., [2017]
Language Note:
Text in English.
Summary:
The first major U.S. monograph in ten years on Murakami is the definitive survey of the paintings of one of today's most influential artists. Takashi Murakami (born 1962), one of contemporary art's most widely recognized exponents, receives a long-awaited critical consideration in this important volume. Accompanying the first retrospective exhibition devoted solely to Murakami's paintings, this book traces Murakami's career from his earliest training to his current studio practice. Where other books address the commercial aspects of Murakami's work, this is the first serious survey of his work as a painter. Through essays and illustrations many previously unpublished it explores the artist's relationship to the tradition of Japanese painting and his facility in straddling high and low, ancient and modern, Eastern and Western, commercial and high art. New texts address Murakami's output in the context of postwar Japan, situating the artist in relation to folklore, traditional Japanese painting, the Tokyo art scene in the 1980s and 1990s, and the threat of nuclear annihilation. This richly illustrated volume also includes a detailed biography and exhibition history.
Contents:
Note to the reader
Glossary of terms
Foreword / Madeleine Grynsztejn
Doomed to survive / Michael Darling
The total work of art : Takashi Murakami and Nihonga / Chelsea Foxwell
Plates I: Early works
The bubble goes pop : Takashi Murakami and the early days of Tokyo neo-pop / Reuben Keehan
Plates II: Superflat
Murakami's monsters and the art of allusion / Michael Dylan Foster
Plates III: The studio
Super/flatline : Takashi Murakami's anime/n / Akira Mizuta Lippit
Plates IV: Recent works
The central dogma of art / Takashi Murakami
Biography, exhibitions, and publications
Exhibition checklist.
Notes:
Catalog of an exhibition held at the Griffin Galleries of Contemporary Art, Museum of Contemporary Art Chicago, June 6-September 24, 2017, Vancouver Art Gallery, January 27-April 29, 2017, and Museum of Modern Art, Fort Worth, June 17-September 2, 2018.
Includes bibliographical references and index.
ISBN:
9780847859115
0847859118
9780847859887
0847859886
OCLC:
967861385

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