My Account Log in

1 option

Staging creolization : women's theater and performance from the French Caribbean / Emily Sahakian.

Van Pelt Library PQ3943 .S24 2017
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Sahakian, Emily, author.
Series:
New World studies
New Word Studies
Language:
English
Subjects (All):
Césaire, Ina--Criticism and interpretation.
Césaire, Ina.
Condé, Maryse--Criticism and interpretation.
Condé, Maryse.
Dambury, Gerty--Criticism and interpretation.
Dambury, Gerty.
Schwarz-Bart, Simone--Criticism and interpretation.
Schwarz-Bart, Simone.
Ubu Repertory Theater.
Caribbean drama (French Creole)--History and criticism.
Caribbean drama (French Creole).
Caribbean drama (French Creole)--Women authors--History and criticism.
Theater--Caribbean, French-speaking--History--20th century.
Theater.
Women in literature.
Cultural fusion.
History.
Women authors.
Criticism and interpretation.
Physical Description:
xiii, 274 pages : illustrations ; 24 cm.
Other Title:
Women's theater and performance from the French Caribbean
Place of Publication:
Charlottesville : University of Virginia Press, 2017.
Summary:
"Emily Sahakian examines plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization -- the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism" -- Provided by publisher.
Contents:
Introduction
Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes
Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes
Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine
Diaspora performances at Ubu Repertory Theater in New York
Recasting the Francophone Caribbean couple at Ubu Repertory Theater
Coda: creolizing knowledge in U.S. university performances.
Notes:
Includes bibliographical references (pages [249]-263) and index.
ISBN:
9780813940076
0813940079
9780813940083
0813940087
OCLC:
965145257

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account