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Improvising Cinema / Gilles Mouëllic.

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Format:
Book
Author/Creator:
Mouëllic, Gilles.
Series:
Film culture in transition.
Film culture in transition
Standardized Title:
Improviser le cinema. French
Language:
English
French
Subjects (All):
Motion pictures--History.
Motion pictures.
Documentary films--History and criticism.
Documentary films.
Experimental films--History and criticism.
Experimental films.
Improvisation (Acting).
Physical Description:
1 online resource (205 p.)
Edition:
1st ed.
Place of Publication:
Amsterdam : Amsterdam University Press, 2013.
Language Note:
In English.
Summary:
This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.
Contents:
Frontmatter
Contents
Acknowledgements
Introduction
1. Writing and improvisation
2. Creation in action
3. The influence of Jean Rouch
4. Acting cinema
5. The temptation of theatre
6. The rules of the game
7. Filming jazz
Conclusion
Notes
Bibliography
Index of names
Index of films
Notes:
Description based upon print version of record.
Includes bibliographical references (p. [187]-190) and indexes.
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
Description based on print version record.
ISBN:
1-003-69784-4
1-04-079635-4
90-485-1842-3
9781003697848
OCLC:
880878363
Access Restriction:
Unrestricted online access

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