My Account Log in

6 options

Dreaming of Cinema : Spectatorship, Surrealism, and the Age of Digital Media / Adam Lowenstein.

De Gruyter Columbia University Press Complete eBook-Package 2014-2015 Available online

De Gruyter Columbia University Press Complete eBook-Package 2014-2015

EBSCOhost Academic eBook Collection (North America) Available online

EBSCOhost Academic eBook Collection (North America)

EBSCOhost eBook Community College Collection Available online

EBSCOhost eBook Community College Collection

Ebook Central Academic Complete Available online

Ebook Central Academic Complete

Ebook Central College Complete Available online

Ebook Central College Complete

Ebook Central University Press Available online

Ebook Central University Press
Format:
Book
Author/Creator:
Lowenstein, Adam, author.
Series:
Film and Culture Series
Language:
English
Subjects (All):
Motion picture audiences--Psychology.
Motion picture audiences.
Surrealism in motion pictures.
Physical Description:
1 online resource (275 p.)
Place of Publication:
New York, NY : Columbia University Press, [2014]
Language Note:
English
Summary:
Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell and recognizes their significance for the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson. Offering a positive alternative to cinema's perceived crisis of realism, this innovative study enriches the meaning of cinematic spectatorship in the twenty-first century.
Contents:
Front matter
Contents
Illustrations
Acknowledgments
Introduction
1. Enlarged Spectatorship
2. Interactive Spectatorship
3. Globalized Spectatorship
4. Posthuman Spectatorship
5. Collaborative Spectatorship
Afterword
Notes
Bibliography
Index
Back matter
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)
ISBN:
9780231538480
0231538480
OCLC:
902664985

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account