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Classical Hollywood narrative : the paradigm wars / edited by Jane Gaines.

e-Duke Books Scholarly Collection Pre-2008 Archive Available online

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Format:
Book
Contributor:
Gaines, Jane, 1946-
Language:
English
Subjects (All):
Motion pictures--Philosophy.
Motion pictures.
Motion pictures--Social aspects.
Physical Description:
1 online resource (359 p.)
Place of Publication:
Durham : Duke University Press, 1992.
Language Note:
English
Summary:
Since the 1970s film studies has been dominated by a basic paradigm—the concept of classical Hollywood cinema—that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthetic devices reinforce gender positions in society. In a variety of ways, the essays collected here—representing the work of some of the most innovative theorists writing today—challenge this paradigm.Significantly expanded from a special issue of South Atlantic Quarterly (Spring 1989), these essays confront the extent to which formalism has continued to dominate film theory, reexamine the role of melodrama in cinematic development, revise notions of "patriarchal cinema," and assert the importance of television and video to cinema studies. A range of topics are discussed, from the films of D. W. Griffith to sexuality in avant-garde film to television's Dynasty.Contributors. Rick Altman, Richard Dienst, Jane Feuer, Jane Gaines, Christine Gledhill, Miriam Hansen, Norman N. Holland, Fredric Jameson, Bill Nichols, Janey Staiger, Chris Straayer, John O. Thompson
Contents:
Introduction : the family melodrama of classical narrative cinema / Jane M. Gaines
Dickens, Griffith, and film theory today / Rick Altman
Form wars : the political unconscious of formalist theory / Bill Nichols
Film response from eye to I: the Kuleshov experiment / Norman N. Holland
Securing the fictional narrative as a tale of the historical real : The return of Martin Guerre / Janet Staiger
Between melodrama and realism : Anthony Asquith's Underground and King Vidor's The crowd / Christine Gledhill
The hieroglyph and the whore : D.W. Griffith's Intolerance / Miriam Hansen
The she-man postmodern bi-sexed performance in film and video / Chris Straayer
Dead ringer : Jacqueline Onassis and the look-alike / Jane Gaines
Nostalgia for the present / Fredric Jameson
Reading dynasty : televeision and reception theory / Jane Feuer
Dialogues of the living dead / John O. Thompson
Image/machine/image : on the use and abuse of Marx and metaphor in television theory / Richard Dienst.
Notes:
Originally published as vol. 88, no. 2 (spring 1989), of South Atlantic quarterly. With additional chapters and index.
Includes bibliographical references and index.
Description based on print version record.
ISBN:
9780822312994
0822312999
9780822396345
0822396343
OCLC:
893681175

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