Avant-garde and criticism / edited by Klaus Beekman and Jan de Vries.

Format:

Book

Contributor:

Beekman, K.

Vries, Jan de, 1951-

Series:

Avant-Garde Critical Studies 21.

Avant Garde critical studies ; 21

Language:

English

Subjects (All):

Avant-garde (Aesthetics)--Europe.

Avant-garde (Aesthetics).

Arts, European--20th century.

Arts, European.

Art criticism--History--20th century.

Art criticism.

Europe.

Genre:

History.

Physical Description:

1 online resource (367 p.)

Edition:

1st ed.

Place of Publication:

Amsterdam ; New York : Rodopi, 2007.

Language Note:

English

Summary:

Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature, art, architecture and film. This volume of Avant-Garde Critical Studies will look at how art critics operated in a strategic way. The strategies of avant-garde criticism are diverse. Art critics, especially when they are artists themselves, attempt to manipulate the cultural climate in their favour. They use their position to legitimize avant-garde concepts and to conquer a place in the cultural field. But they are also markedly influenced by the context in which they operate. The position of fellow-critics and the ideological bias of the papers in which they publish can be as important as the political climate in which their criticism flourishes. The analysis of avant-garde art criticism can also make clear how strategies sometimes fail and involuntarily display non-avant-garde characteristics. On the other hand traditionalist criticism on the avant-garde offers new insights into its status and reception in a given time and place. This volume is of interest for scholars, teachers and students who are interested in the avant-garde of the interbellum-period and work in the field of literature, art, film and architecture.

Contents:

Preliminary material / Editors Avant-Garde and Criticism

Criticism and Avant-Garde / Klaus Beekman and Jan de Vries

Art Criticism and Avant-Garde: André Lhote’s Written Works / Jean-Roch Bouiller

Architectural Criticism in de 8 en OPBOUW / Ben Rebel

Theo van Doesburg and Writings on Film in De Stijl / Ansje van Beusekom

The International Theatre Exhibition of 1922 and the Critics / Peter G.F. Eversmann

The Making of a Reputation: the Case of Cobra / Nico Laan

Avant-Garde Reviewing of New Book Releases A Case Study from The Netherlands / Hugo Verdaasdonk

Mayakovsky as Literary Critic / Willem G. Weststeijn

German Art in The Netherlands before and after World War II / Gregor Langfeld

Banality in Art Criticism. Comments on the Reception of Art in the German Daily Press of the 1920s / Arie Hartog

A Victorious Campaign for Dadaism? On the Press Coverage of the Dutch Dada Tour of 1923 / Hubert F. van den Berg

The Inevitability of Argumentative Criticism Theo van Doesburg and the Constructive Review / Klaus Beekman

On Intentionality and Avant-Garde Criticism / Ralf Grüttemeier

Resistance to the Avant-Garde Criticism of the Avant-Garde in Dutch Literary Periodicals / Wiljan van den Akker and Gillis Dorleijn

Dutch Contemporaries on Proust and the Historic Avant-Garde / Sabine van Wesemael

The Writing Artists of the Magazine Kroniek van Kunst en Kultuur (Chronicle of Art and Culture) in the Period 1935-1941 / Hestia Bavelaar.

Notes:

Description based upon print version of record.

Includes bibliographical references.

ISBN:

94-012-0398-9

1-4294-8059-9

OCLC:

714567415

Publisher Number:

10.1163/9789401203982 DOI