Common places : the poetics of African Atlantic postromantics / Seanna Sumalee Oakley.

Format:

Book

Author/Creator:

Oakley, Seanna Sumalee.

Series:

Text (Rodopi (Firm))

Textxet

Language:

English

Subjects (All):

Poetics.

Authors, African.

Postcolonialism in literature.

Glissant, Édouard, 1928-2011--Criticism and interpretation.

Glissant, Édouard.

Walcott, Derek--Criticism and interpretation.

Walcott, Derek.

Frankétienne--Criticism and interpretation.

Frankétienne.

Rankine, Claudia, 1963---Criticism and interpretation.

Rankine, Claudia.

Physical Description:

1 online resource (320 p.)

Edition:

1st ed.

Place of Publication:

Amsterdam : Rodopi, 2011.

Language Note:

English

Biography/History:

Some quotations in French.

Summary:

While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the “commonplace” to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attainable, differentially common future. Putting poets Frankétienne (Haiti), Werewere Liking (Côte d’Ivoire), Derek Walcott (St Lucia), and Claudia Rankine (Jamaica) in dialogue with Romantic poets and theorists, as well as with the more recent thinkers Édouard Glissant, Walter Benjamin, and Emmanuel Levinas, Oakley shows how African Atlantic poets formally revive Romantic forms, ranging from the social utopian manifesto to the poète maudit , in their pursuit of a redemptive allegory of African Atlantic experiences. Common Places addresses issues in African and Caribbean literary studies, Romanticism, poetics, rhetorical theory, comparative literature, and translation theory, and further, models a postcolonial critique in the aesthetic-ethical and “new aestheticist” vein.

Contents:

Preliminary Material

OUT OF THE ABYSS: COMMONPLACES OF REPETITION AND REDEMPTION

GLISSANT’S COMMON PLACES

WALCOTT’S ALLEGORY OF HISTORY

A BACKWARD FAITH IN WALCOTT’S “THE SCHOONER FLIGHT”

CLAUDIA RANKINE: JANE EYRE’S BLUES AT THE END OF THE ALPHABET

DEAR DIARY: AMANIFESTO – WEREWERE LIKING’S ELLE SERA DE JASPE ET DE CORAIL

RITUALIZING UTOPIA IN ELLE SERA DE JASPE ET DE CORAIL

MASKS OF AFFLICTION IN FRANKÉTIENNE’S HAITI

FRANKÉTIENNE’S LOGORRHEA: AN EXCESS OF SEEMING

“THE HORIZON DEVOURS MY VOICE”: NOTES ON TRANSLATION

BIBLIOGRAPHY

INDEX.

Notes:

Description based upon print version of record.

Includes bibliographical references and index.

ISBN:

9786613366269

1-283-36626-6

94-012-0695-3

OCLC:

768083027

Publisher Number:

10.1163/9789401206952 DOI