My Account Log in

3 options

Gothic-postmodernism : voicing the terrors of postmodernity / Maria Beville.

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost Ebook Public Library Collection - North America Available online

View online

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Beville, Maria.
Series:
Postmodern studies ; 43.
Postmodern studies, 0923-0483 ; 43
Language:
English
Subjects (All):
Gothic fiction (Literary genre).
Terror in literature.
Postmodernism.
Physical Description:
1 online resource (220 p.)
Edition:
1st ed.
Place of Publication:
Amsterdam ; Toronto : Rodopi, 2009.
Language Note:
English
Summary:
Being the first to outline the literary genre, Gothic-postmodernism, this book articulates the psychological and philosophical implications of terror in postmodernist literature, analogous to the terror of the Gothic novel, uncovering the significance of postmodern recurrences of the Gothic, and identifying new historical and philosophical aspects of the genre. While many critics propose that the Gothic has been exhausted, and that its significance is depleted by consumer society’s obsession with instantaneous horror, analyses of a number of terror-based postmodernist novels here suggest that the Gothic is still very much animated in Gothic-postmodernism. These analyses observe the spectral characters, doppelgangers , hellish waste lands and the demonised or possessed that inhabit texts such as Paul Auster’s City of Glass , Salman Rushdie’s The Satanic Verses and Bret Easton Ellis’s Lunar Park . However, it is the deeper issue of the lingering emotion of terror as it relates to loss of reality and self, and to death, that is central to the study; a notion of ‘terror’ formulated from the theories of continental philosophers and contemporary cultural theorists. With a firm emphasis on the sublime and the unrepresentable as fundamental to this experience of terror; vital to the Gothic genre; and central to the postmodern experience, this study offers an insightful and concise definition of Gothic-postmodernism. It firmly argues that ‘terror’ (with all that it involves) remains a connecting and potent link between the Gothic and postmodernism: two modes of literature that together offer a unique voicing of the unspeakable terrors of postmodernity.
Contents:
Preliminary Material
Introduction
Defining Gothic-postmodernism
On Gothic Terror
Generic Investigations: What is ‘Gothic’?
Postmodernism
The Gothic and Postmodernism – At the Interface
Gothic Literary Transformations: The Fin de Siecle and Modernism
Introduction to Part II
The Gothic-postmodernist Novel: Three Models
Gothic Metafiction: The Satanic Verses
Bulgakov’s The Master and Margarita
Textual Terrors of the Self: Haunting and Hyperreality in Lunar Park
Conclusion
Bibliography
Index.
Notes:
Description based upon print version of record.
Includes bibliographical references (p. [203]-212) and index.
ISBN:
1-282-50527-0
9786612505270
90-420-2665-0
OCLC:
649903236
Publisher Number:
10.1163/9789042026650 DOI

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account