A Gorgon's mask : the mother in Thomas Mann's fiction / Lewis A. Larson.

Format:

Book

Author/Creator:

Lawson, Lewis A.

Series:

Psychoanalyse en cultuur ; 12.

Psychoanalysis and culture ; 12

Language:

English

Subjects (All):

Mothers in literature.

Grotesque in literature.

Mann, Thomas, 1875-1955--Criticism and interpretation.

Mann, Thomas.

Mann, Thomas, 1875-1955--Psychology.

Physical Description:

1 online resource (438 p.)

Edition:

1st ed.

Place of Publication:

Amsterdam ; New York : Rodolpi, 2005.

Language Note:

English

Summary:

The thesis of A Gorgon's mask: The Mother in Thomas Mann's Fiction depends upon three psychoanalytic concepts: Freud's early work on the relationship between the infant and its mother and on the psychology of artistic creation, Annie Reich's analysis of the grotesque-comic sublimation, and Edmund Bergler's analysis of writer's block. Mann's crisis of sexual anxiety in late adolescence is presented as the defining moment for his entire artistic life. In the throes of that crisis he included a sketch of a female as Gorgon in a book that would not escape his mother's notice. But to defend himself from being overcome by the Gorgon-mother's stare he employed the grotesque-comic sublimation, hiding the mother figure behind fictional characters physically attractive but psychologically repellent, all the while couching his fiction in an ironic tone that evoked humor, however lacking in humor the subtext might be. In this manner he could deny to himself that the mother figure always lurked in his work, and by that denial deny that he was a victim of oral regression. For, as Edmund Bergler argues, the creative writer who acknowledges his oral dependency will inevitably succumb to writer's block. Mann's late work reveals that his defense against the Gorgon is crumbling. In Doctor Faustus Mann portrays Adrian Leverkühn as, ultimately, the victim of oral regression; but the fact that Mann was able to compete the novel, despite severe physical illness and psychological distress, demonstrates that he himself was still holding writer's block at bay. In Confessions of Felix Krull: Confidence Man, a narrative that he had abandoned forty years before, Mann was finally forced to acknowledge that he was depleted of creative vitality, but not of his capacity for irony, brilliantly couching the victorious return of the repressed in ambiguity. This study will be of interest to general readers who enjoy Mann's narrative art, to students of Mann's work, especially its psychological and mythological aspects, and to students of the psychology of artistic creativity.

Contents:

Acknowledgements

I. Introduction

II. Early Works

III. The Magic Mountain

IV. Mann meets Freud

V. Joseph and His Brothers

The Beloved Returns : Lotte in Weimar

The Transposed Heads

Joseph the Provider

VI. Doctor Faustus

VII. The Holy Sinner

Confessions of Felix Krull: Confidence Man

The Black Swan

VIII. Conclusion

Bibliography.

Notes:

Description based upon print version of record.

Description based on print version record.

Includes bibliographical references and index.

ISBN:

94-012-0182-X

1-4175-9119-6

OCLC:

60157366

Publisher Number:

10.1163/9789401201827 DOI