My Account Log in

2 options

Poetics of emptiness : transformations of Asian thought in American poetry / Jonathan Stalling.

De Gruyter Fordham University Press Complete eBook-Package Pre-2014 Available online

View online

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Stalling, Jonathan.
Series:
American Literatures Initiative
Language:
English
Subjects (All):
American poetry--Chinese influences.
American poetry.
Emptiness (Philosophy).
Philosophy--East Asia.
Philosophy.
Poetics.
Physical Description:
1 online resource (284 p.)
Edition:
1st ed.
Place of Publication:
New York : Fordham University Press, 2010.
Language Note:
English
Summary:
The Poetics of Emptiness uncovers an important untold history by tracing the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transformed within twentieth-century American poetry and poetics. This conceptual migration is detailed in two sections. The first focuses on "transpacific Buddhist poetics," while the second maps the less well-known terrain of "transpacific Daoist poetics." In Chapters 1 and 2, the author explores Ernest Fenollosa's "The Chinese Written Character as a Medium for Poetry" as an expression of Fenollosa's distinctly Buddhist poetics informed by a two-decade-long encounter with a culturally hybrid form of Buddhism known as Shin Bukkyo ("New Buddhism"). Chapter 2 explores the classical Chinese poetics that undergirds the lost half of Fenellosa's essay. Chapter 3 concludes the first half of the book with an exploration of the didactic and soteriological function of "emptiness" in Gary Snyder's influential poetry and poetics. The second half begins with a critical exploration of the three-decades-long career of the poet/translator/critic Wai-lim Yip, whose "transpacific Daoist poetics" has been an important fixture in American poetic late modernism and has begun to gain wider notoriety in China. The last chapter engages the intertextual weave of poststructural thought and Daoist and shamanistic discourses in Theresa Hak Kyung Cha's important body of heterocultural productions. By formulating interpretive frames as hybrid as the texts being read, this book makes available one of the most important yet still largely unknown stories of American poetry and poetics.
Contents:
Frontmatter
Contents
List of Figures and Tables
Prologue: Transformations of a Transpacific Imaginary
Introduction: The Poetics of Emptiness, or a Cult of Nothingness
1 Emptiness in Flux: The Buddhist Poetics of Ernest Fenollosa’s “The Chinese Written Character as a Medium for Poetry”
2 Patterned Harmony: Buddhism, Sound, and Ernest Fenollosa’s Poetics of Correlative Cosmology
3 Teaching the Law: Gary Snyder’s Poetics of Emptiness
4 Language of Emptiness: Wai-lim Yip’s Daoist Project
5 Pacing the Void: Theresa Hak Kyung Cha’s Dictée
Epilogue
Notes
Bibliography
Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on publisher supplied metadata and other sources.
ISBN:
9786613297099
9780823231454
0823231453
9780823244355
0823244350
9780823246489
0823246485
9780823241835
0823241831
9781283297097
1283297094
9780823231461
0823231461
OCLC:
712990679

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account