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Polyphony embodied : freedom and fate in Gao Xingjian's writings / edited by Michael Lackner and Nikola Chardonnens.

DGBA Philosophy 2000 - 2014 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Contributor:
Lackner, Michael, 1953- editor.
Chardonnens, Nikola, editor.
Series:
Chinese-western discourse ; Volume 1.
Chinese-Western Discourse ; Volume 1
Language:
English
Subjects (All):
Chinese literature--20th century--History and criticism.
Chinese literature.
Liberty in literature.
Fate and fatalism in literature.
Gao, Xingjian--Criticism and interpretation.
Gao, Xingjian.
Physical Description:
1 online resource (272 p.)
Edition:
1st ed.
Place of Publication:
Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter, 2014.
Language Note:
English
Summary:
Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao's works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian's works can be called a polyphonic one: there are affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian's aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.
Contents:
Front matter
Acknowledgments
Contents
Illustrations
Introduction / Lackner, Michael / Chardonnens, Nikola
Freedom and Literature / Xingjian, Gao
Gao Xingjian's Transcultural Aesthetics in Fiction, Theater, Art, and Film / Lee, Mabel
The Aesthete as Revolutionary: Saving Art from Politics / McDonald, John
The Silence of Buddha: Triangulating Gao Xingjian, Brecht, and Beckett / Tatlow, Antony
Gao Xingjian's Notion of Freedom / Zaifu, Liu
Reading Gao Xingjian's Treatment of Freedom in Soul Mountain and One Man's Bible in the Sartrean Framework / Yeung, Jessica
The Concept of Freedom in Gao Xingjian's Novel One Man's Bible / Liying, Wang
Sex, Freedom, and Escape in Gao Xingjian's One Man's Bible / Dutrait, Noël
Wild Man and the Idea of Freedom / Fong, Gilbert C. F.
Toward an Aesthetics of Freedom / Gang, Lin
Gao Xingjian Carefree: Of Mountains and Seas and Carefree as a Bird / Yinde, Zhang
Tradition and Freedom: The Artistic World of Gao Xingjian and His Play Hades / Oh, Sookyung
Multivocality as Critique of Reality: Fate and Freedom in Gao Xingjian's The Man Who Questions Death / Ren, Quah Sy
Between Memory and Forgetting: Ten Years after Gao Xingjian's Winning of the Nobel / Lim, Wah Guan
Finding Freedom and Reshaping Fate: An Exile's Disentanglement from Obsession in Gao Xingjian's Novels / Li, Lily
Fate as (Re)Visioning of the Self in Soul Mountain / Tam, Kwok-kan
Trap Revisited: The Man Who Questions Death and the Tragedy of Modern Man / Chan, Shelby
Index of Works by Gao Xingjian
Name Index
Notes:
Description based upon print version of record.
Includes bibliographical references at the end of each chapters and indexes.
Description based on print version record.
ISBN:
9783110374179
311037417X
9783110351873
3110351870
OCLC:
890071027

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