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Placing aesthetics : reflections on the philosophic tradition / Robert E. Wood.
- Format:
- Book
- Author/Creator:
- Wood, Robert E., 1934-
- Series:
- Series in Continental thought ; 26.
- Series in Continental thought ; 26
- Language:
- English
- Subjects (All):
- Aesthetics--History.
- Aesthetics.
- Physical Description:
- 1 online resource( xvi, 413 pages) : illustrations
- Edition:
- 1st ed.
- Place of Publication:
- Athens, OH : Ohio University Press, 1999.
- Language Note:
- English
- Summary:
- Examining select high points in the speculative tradition from Plato and Aristotle through the Middle Ages and German tradition to Dewey and Heidegger, Placing Aesthetics seeks to locate the aesthetic concern within the larger framework of each thinker''s philosophy. In Professor Robert Wood''s study, aesthetics is not peripheral but rather central to the speculative tradition and to human existence as such. In Dewey''s terms, aesthetics is "experience in its integrity."
- Contents:
- Intro
- Title
- Copyright
- Dedication
- Contents
- Abbreviations
- Preface
- I. Introduction: Fine Art and the Field of Experience
- The Threefold Structure of the Field of Experience
- The Manifold Forms of Art
- A Preliminary Descriptive System of the Fine Arts
- Phenomenological, Hermeneutic, and Dialogic Approaches
- II. Plato
- Art in the Purged City
- The Center of Order
- Mimesis
- The Treatment of Art in the Republic
- The Ladder of Ascent to Beauty Itself
- Response
- A Brief Excursus: Plato and Wright on Architecture
- III. Aristotle
- Meanings of the Term Art
- Nature Illumined by Art: Plato and Aristotle
- Art as Imitation
- Division of the Performing Arts
- The Definition of Tragedy
- IV. Plotinus and the Latin Middle Ages
- Plotinus
- Aquinas among the Latin Medievals
- V. Kant
- Critique of Pure Reason
- Critique of Practical Reason
- Critique of Judgment
- The Beautiful
- The Sublime
- Art and Genius
- Nature's Ultimate and Final Purpose
- Epilogue: Hume's Notion of Aesthetic Community
- VI. Hegel
- Hegel, Enlightenment, and Christianity
- The Starting Point of the Hegelian System
- The Development of the System
- The Nature of Art
- The Basic Stages and Forms of Art
- VII. Schopenhauer
- A Synthesis of Kant, Plato, and the Indian Tradition
- The World as Will and Representation
- Aesthetic Experience and the Work of Art
- The Forms of Art
- VIII. Nietzsche
- Nietzsche's Horizon
- Nietzsche's Aesthetics
- IX. Dewey
- Overcoming the Platonic Splits
- Overcoming the Cartesian Splits
- Further Modifications of Traditional Notions
- Dewey's Aesthetics
- X. Heidegger
- Situating Heidegger
- "The Origin of the Work of Art"
- What Is a Thing?.
- Philosophy, Science, Art, and the Lifeworld
- XI. Conclusion
- The Sensory Field
- The Cultural World
- Transcendence
- Appendix: On Sculptural Production
- Descriptions
- Reflections
- Notes
- Bibliography
- Index of Names
- Subject Index.
- Notes:
- Bibliographic Level Mode of Issuance: Monograph
- Includes bibliographical references (p. [391]-406) and indexes.
- ISBN:
- 9780821440452
- 0821440454
- OCLC:
- 50174888
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