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Placing aesthetics : reflections on the philosophic tradition / Robert E. Wood.

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Format:
Book
Author/Creator:
Wood, Robert E., 1934-
Series:
Series in Continental thought ; 26.
Series in Continental thought ; 26
Language:
English
Subjects (All):
Aesthetics--History.
Aesthetics.
Physical Description:
1 online resource( xvi, 413 pages) : illustrations
Edition:
1st ed.
Place of Publication:
Athens, OH : Ohio University Press, 1999.
Language Note:
English
Summary:
Examining select high points in the speculative tradition from Plato and Aristotle through the Middle Ages and German tradition to Dewey and Heidegger, Placing Aesthetics seeks to locate the aesthetic concern within the larger framework of each thinker''s philosophy. In Professor Robert Wood''s study, aesthetics is not peripheral but rather central to the speculative tradition and to human existence as such. In Dewey''s terms, aesthetics is "experience in its integrity."
Contents:
Intro
Title
Copyright
Dedication
Contents
Abbreviations
Preface
I. Introduction: Fine Art and the Field of Experience
The Threefold Structure of the Field of Experience
The Manifold Forms of Art
A Preliminary Descriptive System of the Fine Arts
Phenomenological, Hermeneutic, and Dialogic Approaches
II. Plato
Art in the Purged City
The Center of Order
Mimesis
The Treatment of Art in the Republic
The Ladder of Ascent to Beauty Itself
Response
A Brief Excursus: Plato and Wright on Architecture
III. Aristotle
Meanings of the Term Art
Nature Illumined by Art: Plato and Aristotle
Art as Imitation
Division of the Performing Arts
The Definition of Tragedy
IV. Plotinus and the Latin Middle Ages
Plotinus
Aquinas among the Latin Medievals
V. Kant
Critique of Pure Reason
Critique of Practical Reason
Critique of Judgment
The Beautiful
The Sublime
Art and Genius
Nature's Ultimate and Final Purpose
Epilogue: Hume's Notion of Aesthetic Community
VI. Hegel
Hegel, Enlightenment, and Christianity
The Starting Point of the Hegelian System
The Development of the System
The Nature of Art
The Basic Stages and Forms of Art
VII. Schopenhauer
A Synthesis of Kant, Plato, and the Indian Tradition
The World as Will and Representation
Aesthetic Experience and the Work of Art
The Forms of Art
VIII. Nietzsche
Nietzsche's Horizon
Nietzsche's Aesthetics
IX. Dewey
Overcoming the Platonic Splits
Overcoming the Cartesian Splits
Further Modifications of Traditional Notions
Dewey's Aesthetics
X. Heidegger
Situating Heidegger
"The Origin of the Work of Art"
What Is a Thing?.
Philosophy, Science, Art, and the Lifeworld
XI. Conclusion
The Sensory Field
The Cultural World
Transcendence
Appendix: On Sculptural Production
Descriptions
Reflections
Notes
Bibliography
Index of Names
Subject Index.
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (p. [391]-406) and indexes.
ISBN:
9780821440452
0821440454
OCLC:
50174888

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