Beowulf and the Grendel-Kin : politics and poetry in eleventh-century England / Helen Damico.

Format:

Book

Author/Creator:

Damico, Helen, author.

Series:

Medieval European studies ; XVI.

Medieval European studies ; XVI

Language:

English

Subjects (All):

Beowulf--Criticism, Textual.

Beowulf.

Politics and literature--England--History--To 1500.

Politics and literature.

English poetry--Old English, ca. 450-1100--History and criticism.

English poetry.

Epic poetry, English (Old)--History and criticism.

Epic poetry, English (Old).

Anglo-Saxons--Intellectual life.

Anglo-Saxons.

Physical Description:

1 online resource (378 p.)

Edition:

1st ed.

Place of Publication:

Morgantown : University of West Virginia Press, 2015.

Language Note:

English

Summary:

In "Beowulf and the Grendel-kin: Politics and Poetry in Eleventh-Century England," Helen Damico presents the first concentrated discussion of the initiatory two-thirds of "Beowulf's" 3,182 lines in the context of the turbulent years that composed the first half of the eleventh century in Anglo-Danish England Damico offers incisive arguments that major historical events and personages pertaining the the reigns of Cnut and his sons recorded in the "Anglo-Saxon Chronicle," the "Encomium Emmae Reginae," and major continental and Scandinavian historical texts, hold striking parallels with events and personages found in at least eight narrative units, as recorded by Scribe A in BL, Cotton Vitellius A.xv, that make up the poem's quasi sixth-century narrative concerning the fall of the legendary Scyldings. Given the poet's compositional skill-widely relational and eclectic at its core-and his affinity with the practicing skalds, these strings of parallelisms could scarcely have been coincidental. Rather, Damico argues that examined within the context of other eleventh-century texts that either bemoaned, darkly satirized, or obversely celebrated the rise of the Anglo-Danish realm, the Beowulfian units may bring forth a deeper understanding of the complexity of the poet's compositional process. Damico illustrates the poet's use of the tools of his trade-compression, substitution, skillful encoding of character-to reinterpret and transform grave sociopolitical "facts" of history, to produce what may be characterized as a type of historical allegory whereby two parallel narratives, one literal and another veiled, are simultaneously operative. "Beowulf and the Grendel-kin" lays out the story of the poem, not as a monster narrative nor a folklorish nor solely a legendary tale, but rather as a poem of its time, a historical allegory coping with and reconfiguring sociopolitical events of the first half of eleventh-century Anglo-Saxon England.

Contents:

Introduction: From history to vernacular epic

The severed head: poetic image and historical text

The Gifståìl and the Grendel-Kin

Ãülfã¡fa in Rã¡ka and the English Konungamã³ã°ir

Emma and Wealhtheow: female sovereignty and poetic discourse.

Notes:

Description based upon print version of record.

Includes bibliographical references and index.

Description based on print version record.

ISBN:

1-938228-72-3

1-938228-73-1

OCLC:

905636930