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Cutting performances : collage events, feminist artists, and the American avant-garde / James M. Harding.

EBSCOhost Academic eBook Collection (North America) Available online

EBSCOhost Academic eBook Collection (North America)

Ebook Central Academic Complete Available online

Ebook Central Academic Complete
Format:
Book
Author/Creator:
Harding, James Martin, 1958-
Contributor:
Michigan Publishing (University of Michigan), publisher.
Series:
Theater--theory/text/performance.
Theater : theory/text/performance
Language:
English
Subjects (All):
Feminist theater.
Experimental theater.
Physical Description:
1 online resource (235 p.)
Edition:
1st pbk. ed.
Place of Publication:
Ann Arbor, Michigan : University of Michigan Press, [2010]
Language Note:
English
Summary:
Sheds light on the critical role that women artists have played in the evolution of the American avant-garde.
Contents:
Toward a feminist historiography of American avant-garde performance: theories and contexts
Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada
Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all
Between material and matrix: Yoko Ono's cut piece and the unmaking of collage
Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967
Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities
Conclusion: Collage and community.
Notes:
Description based upon print version of record.
Includes bibliographical references and index (pages 215-222).
Description based on information from the publisher.
ISBN:
9786613721808
9781280880490
128088049X
9780472029006
0472029002

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