My Account Log in

2 options

Wagner's Ring cycle and the Greeks / Daniel H. Foster.

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Foster, Daniel H., 1967- author.
Series:
Cambridge studies in opera.
Cambridge studies in opera
Language:
English
Subjects (All):
Wagner, Richard, 1813-1883. Ring des Nibelungen.
Wagner, Richard.
Physical Description:
1 online resource (xx, 377 pages) : digital, PDF file(s).
Edition:
1st ed.
Other Title:
Wagner's Ring Cycle & the Greeks
Place of Publication:
Cambridge : Cambridge University Press, 2010.
Language Note:
English
Summary:
Through his reading of primary and secondary classical sources, as well as his theoretical writings, Richard Wagner developed a Hegelian-inspired theory linking the evolution of classical Greek politics and poetry. This book demonstrates how, by turning theory into practice, Wagner used this evolutionary paradigm to shape the music and the libretto of the Ring cycle. Foster describes how each of the Ring's operas represents a particular phase of Greek poetic and political development: Das Rheingold and Die Walküre create epic national identity in its earlier and later stages respectively; Siegfried expresses lyric personal identity; and Götterdämmerung destructively culminates with a tragi-comedy about civic identity. This study sees the Greeks through the lens of those scholars whose work influenced Wagner most, focusing on epic, lyric, and comedy, as well as Greek tragedy. Most significantly, the book interrogates the ways in which Wagner uses Greek aesthetics to further his own ideological goals.
Contents:
Introduction
pt. 1. Epic. Introduction: what is epic? ; Retrospective narrative and the epic process ; The orchestral narrator and elementary epic ; Spiritual and factual realities in epic
pt. 2. Lyric. Introduction: what is lyric? ; Orpheus and lyric liberation ; First-person opera and lyric identity ; Lyric and the rebirth of tragedy
pt. 3. Drama. Introduction: what is drama? ; Opera and tragedy ; Opera and comedy ; Resolution and ambiguity in comedy and tragedy
Epilogue: Time, the Ring, and performance studies
Appendices: Wagner's primary and secondary sources. Appendix A. Wagner's primary sources ; Appendix B. Secondary scholarship by authors Wagner knew personally ; Appendix C. Secondary scholarship by authors Wagner knew by reputation or by reading.
Notes:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Includes bibliographical references and index.
ISBN:
0-511-73951-6
1-107-20673-1
1-282-53612-5
9786612536120
0-511-67843-6
0-511-68166-6
0-511-67717-0
0-511-68364-2
0-511-67628-X
0-511-67968-8
OCLC:
609860432

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account