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The space that remains : reading Latin poetry in late antiquity / Aaron Pelttari.

De Gruyter Cornell University Press Complete eBook-Package 2014-2015 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Author/Creator:
Pelttari, Aaron, 1982- author.
Series:
Cornell studies in classical philology.
Cornell Studies in Classical Philology
Language:
English
Subjects (All):
Latin poetry--History and criticism.
Latin poetry.
Latin poetry--Appreciation.
Authors and readers--Rome.
Authors and readers.
Reader-response criticism.
Physical Description:
1 online resource (205 p.)
Edition:
1st ed.
Place of Publication:
Ithaca, New York : Cornell University Press, 2014.
Language Note:
English
Summary:
When we think of Roman Poetry, the names most likely to come to mind are Vergil, Horace, and Ovid, who flourished during the age of Augustus. The genius of Imperial poets such as Juvenal, Martial, and Statius is now generally recognized, but the final years of the Roman Empire are not normally associated with poetic achievement. Recently, however, classical scholars have begun reassessing a number of poets from Late Antiquity-names such as Ausonius, Claudian, and Prudentius-understanding them as artists of considerable talent and influence. In The Space That Remains, Aaron Pelttari offers the first systematic study of these fourth-century poets since Michael Robert's foundational The Jeweled Style (Cornell, 1989). It is the first to give equal attention to both Christian and Pagan poetry and the first to take seriously the issue of readership. Like the Roman Empire, Latin literature was in a state of flux during the fourth century. As Pelttari shows, the period marked a turn towards forms of writing that privilege the reader's active involvement in shaping the meaning of the text. In the poetry of Ausonius, Claudian, and Prudentius we can see the increasing importance of distinctions between old and new, ancient and modern, forgotten and remembered. The strange traditionalism and verbalism of the day often concealed a desire for immediacy and presence. We can see these changes most clearly in the expectations placed upon readers. The space that remains is the space that the reader comes to inhabit, as would increasingly become the case in the literature of the Latin Middle Ages.
Contents:
Front matter
Contents
Acknowledgments
Abbreviations
Introduction: Late Antique Poetry and the Figure of the Reader
1. Text, Interpretation, and Authority
2. Prefaces and the Reader's Approach to the Text
3. Open Texts and Layers of Meaning
4. The Presence of the Reader: Allusion in Late Antiquity
Conclusion
References
General Index
Index of Passages Cited
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references and indexes.
Description based on print version record.
ISBN:
9781501752056
1501752057
9780801454998
0801454999
9780801455001
0801455006
OCLC:
891381780

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