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Early American cinema in transition : story, style, and filmmaking, 1907-1913 / Charlie Keil.
- Format:
- Book
- Author/Creator:
- Keil, Charlie.
- Series:
- Wisconsin studies in film.
- Wisconsin studies in film
- Language:
- English
- Subjects (All):
- Motion pictures--United States--History--20th century.
- Motion pictures.
- Motion picture industry--United States--History--20th century.
- Motion picture industry.
- Physical Description:
- 1 online resource (321 p.)
- Edition:
- 1st ed.
- Place of Publication:
- Madison : University of Wisconsin Press, 2001.
- Language Note:
- English
- Summary:
- The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.
- Contents:
- Intro
- Contents
- Tables
- Acknowledgments
- 1. Introduction
- 2. "Boom Time in the Moving-Picture Business" : Industrial Structure, Production Practices, and the Trade Press
- 3. "A Story Vital and Unified in Its Action" : The Demands of Narrative
- 4. "An Immeasurably Greater Freedom" : Time and Space in Transitional Cinema
- 5. "The Modern Technique of the Art" : The Style of Transitional Cinema
- 6. Analyzing Transition: Six Sample Films
- 7. Conclusion
- Appendix A: Notes on Method
- Appendix B: Shot-by-Shot Analyses for Chapter 6
- Notes
- Filmography: Viewed Titles, 1907-1913
- Works Cited
- Film Index
- General Index.
- Notes:
- Bibliographic Level Mode of Issuance: Monograph
- Filmography: p. 270-286.
- Includes bibliographical references and indexes.
- ISBN:
- 9786613486004
- 9781283486002
- 1283486008
- 9780299173630
- 0299173631
- OCLC:
- 608918149
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