My Account Log in

4 options

Hollywood's Africa after 1994 / edited by MaryEllen Higgins.

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

Ebook Central Academic Complete Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Contributor:
Higgins, MaryEllen, 1967-
Language:
English
Subjects (All):
Human rights in motion pictures.
Imperialism in motion pictures.
Culture conflict in motion pictures.
Motion pictures--United States--History--21st century.
Motion pictures.
Africa--In motion pictures.
Africa.
Physical Description:
1 online resource (281 p.)
Edition:
1st ed.
Place of Publication:
Athens : Ohio University Press, c2012.
Language Note:
English
Summary:
Hollywood's Africa after 1994 investigates Hollywood's colonial film legacy in the post apartheid era, and contemplates what has changed in the West's representations of Africa. How do we read twenty-first-century projections of human rights issues-child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation-within the contexts of celebrity humanitarianism, "new" military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwand
Contents:
Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins
The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman
The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet
Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang
Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins
Again, the darkness: Shake hands with the devil / Kenneth W. Harrow
Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph
Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie
"An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove
Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan
New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade
"It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland
"Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown
Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce
Situating agency in Blood diamond and Ezra / Iyunolu Osagie
Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz.
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
ISBN:
9780821444337
0821444336
OCLC:
819136153

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account