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Multimedia archaeologies : Gabriele D'Annunzio, Belle époque Paris, and the total artwork / Andrea Mirabile.

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Format:
Book
Author/Creator:
Mirabile, Andrea, author.
Series:
Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 172.
Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 172
Language:
English
Subjects (All):
Paris (France)--History--20th century.
Paris (France).
Paris (France)--Intellectual life--20th century.
Paris (France)--In art.
D'Annunzio, Gabriele, 1863-1938.
D'Annunzio, Gabriele.
Physical Description:
1 online resource (214 p.)
Edition:
1st ed.
Place of Publication:
Amsterdam, Netherlands : Rodopi, 2014.
Language Note:
English
Summary:
Paris, 1910-1915. Artists, intellectuals, and international celebrities crowd the city as never before. Decadent dreams and avant-garde manifestos celebrate the marriage between art and life. Creative experiments and vital joy dance hand in hand—on the edge of the abyss of WWI. Gabriele D’Annunzio is one of the highly influential yet semi-forgotten protagonists of this season and an emblem of its contradictions. A child of the Decadence, but also a forerunner of Modernism, the Italian poet defies the barriers between art forms, languages, and aesthetic practices. Tellingly, some of the period’s major figures across the arts are involved in D’Annunzio’s projects, including Canudo, Bakst, Brooks, Debussy, Montesquiou, and Rubinstein. In particular, in his sacred drama Le Martyre de Saint Sébastien , the poet combines French, Italian, literature, theater, mime, dance, music, painting, and cinema in a way that fuses old and new. D’Annunzio’s hybrid experiments challenge Wagner’s ‘total artwork’ theories, search for a synthesis between pictorial stillness and filmic movement, and anticipate contemporary multimedia experiences. These artistic collaborations end suddenly at the outbreak of the Great War, when Dannunzian total artworks migrate from the stage to the battlefield, generating a controversial legacy that calls for renewed critical investigations.
Contents:
Preliminary Material
Acknowledgments
The Decadence of Decadence
The Verbal: Saint Sebastian, Adonis, and Christ
The Visual: Aesthetic/Ecstatic
The Musical: Music for the Eyes
Multimedia Archaeologies: Gabriele D’Annunzio, Belle Époque Paris, and the Total Artwork
Works Cited.
Notes:
Description based upon print version of record.
Includes bibliographical references.
Description based on online resource; title from PDF title page (ebrary, viewed April 25, 2014).
ISBN:
9789401210515
9401210519
OCLC:
870639156
Publisher Number:
10.1163/9789401210515 DOI

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