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Aggressive fictions : reading the contemporary American novel / Kathryn Hume.

De Gruyter Cornell University Press eBook Package 2000-2013 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Hume, Kathryn, 1945-
Language:
English
Subjects (All):
Aggressiveness in literature.
American fiction--20th century--History and criticism.
American fiction.
American fiction--21st century--History and criticism.
Physical Description:
1 online resource (217 p.)
Edition:
1st ed.
Place of Publication:
Ithaca : Cornell University Press, 2012.
Language Note:
English
Summary:
A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers-or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fiction." Why would authors risk alienating their readers-and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy.In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion.
Contents:
The author-reader contract
The narrative speed in contemporary fiction
Modalities of complaint
Conjugations of the grotesque
Violence
Attacking the reader's ontological assumptions
Why read aggressive fictions?
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (pages [185]-193) and index.
Description based on print version record.
ISBN:
9780801462887
0801462886
9780801462870
0801462878
OCLC:
861793338

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