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Theatre, opera and consciousness : history and current debates / Daniel Meyer-Dinkgrafe.

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Format:
Book
Author/Creator:
Meyer-Dinkgräfe, Daniel, 1958-
Series:
Consciousness, Literature and the Arts 33.
Consciousness, literature and the arts ; 33
Language:
English
Subjects (All):
Performing arts--Psychological aspects.
Performing arts.
Consciousness.
Physical Description:
1 online resource (236 p.)
Edition:
1st ed.
Place of Publication:
Amsterdam ; New York : Rodopi, 2013.
Language Note:
English
System Details:
data file
Summary:
The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru , and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.
Contents:
Preliminary Material
Acknowledgments
Introduction
Consciousness and Western Theatre History: Theory and Examples
Consciousness and Ethics
Consciousness and the concept of Guru in South Asian spiritual and artistic traditions: contemporary relevance and future potential.
Consciousness, warm-up, cool-down and the actor as observer
Opera and Spirituality
Spiritual Aspects of Operatic Singing: Klaus Florian Vogt
Spirituality and Operatic Conducting
Conclusion and Outlook
Bibliography
Index.
Notes:
Description based upon print version of record.
Includes bibliographical references (p. 217-234) and index.
ISBN:
94-012-0929-4
OCLC:
855504865
Publisher Number:
10.1163/9789401209298 DOI

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