Emblematics in Hungary : a study of the history of symbolic representation in Renaissance and Baroque literature / Éva Knapp, Gábor Tüskés ; translated by András Török ; chapters III and V were translated by Zsuzsa Boronkay ; revised by Nigel Griffin.

Format:

Book

Author/Creator:

Knapp, Éva.

Contributor:

Tüskés, Gábor.

Török, András.

Boronkay, Zsuzsa.

Griffin, Nigel.

Series:

Frühe Neuzeit ; Bd. 86.

Frühe Neuzeit : Studien und Dokumente zur deutschen Literatur und Kultur im europäischen Kontext, 0934-5531 ; Band 86

Language:

English

Subjects (All):

Hungarian literature--16th century--History and criticism.

Hungarian literature.

Hungarian literature--17th century--History and criticism.

European literature--Renaissance, 1450-1600--History and criticism.

European literature.

Baroque literature--History and criticism.

Baroque literature.

Emblems in literature.

Physical Description:

1 online resource (410 p.)

Edition:

Reprint 2012

Place of Publication:

Tübingen : Niemeyer, 2003.

Language Note:

English

Summary:

The main aim of the work is to present emblematics in Hungary in its European context, and to show the reciprocal influence between that phenomenon and mainstream literature. The description of the theoretical and historical development in Hungary is supplemented by a series of case studies examining the effect of emblematics upon various literary genres. The final chapter analyzes the link between literary emblematics and the visual arts by looking at a specific example. As in most European countries, emblematics in Hungary is part of a complex labyrinth of literary modes of thought and expression. A relative poverty of theoretical writing went hand in hand with a considerable range of emblematic practice. The emblem proved to be a transitional form between the period when signs and motifs were regarded as having specific and fixed meanings and the modern period when we have developed a different and shifting concept of language and meaning. At the same time as emblems began to penetrate the more popular levels of national culture and literature, they also became more specialized. Hungarian emblematics used, for the most part, existing pictorial and textual combinations of pictures and texts. They employed the emblem notably in genres and texts of the genus demonstrativum, which referred to matters which were topical at the time.

Contents:

Front matter

Contents

Foreword

I Background, definitions, and objectives

II Emblematics in Hungarian literary theory

III Routes of transmission: Jesuit education and emblematics

IV The typology of emblem books and emblematic prints

V The English reception of a late humanist emblem book by a Hungarian author: Zsámboky (Sambucus) and Whitney

VI Mannerist emblematic poetry? The layers of literary tradition in János Rimay's poem Fortuna/Occasio

VII Emblematic modes of expression in the school drama

VIII The emblematic mode and the sermon

IX Religious prose: Emblematic biographies of Jesuit saints

X Literary emblematics and the fine arts: Rhetorical conception and iconographie programme of the fresco cycle on the Grand Staircase of the Jesuit College at Győr

Conclusion

Abbreviations

List of emblem books and emblematic prints with Hungarian connections

Tables

List of figures

Figures

Bibliography

Index

Notes:

Description based upon print version of record.

Includes bibliographical references (pages [289]-314) and index.

Description based on print version record.

ISBN:

9783110950823

3110950820

OCLC:

979595838