My Account Log in

1 option

The heretical archive : digital memory at the end of film

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Torlasco, Domietta, Author.
Language:
English
Subjects (All):
Motion pictures--Philosophy.
Motion pictures.
Physical Description:
1 online resource (148 pages)
Edition:
1st ed.
Place of Publication:
[Place of publication not identified] University of Minnesota Press 2013
Language Note:
English
Summary:
The Heretical Archive examines the relationship between memory and creation in contemporary artworks that use digital technology while appropriating film materials. Domietta Torlasco argues that these digital films and multimedia installations radically transform our memory of cinema and our understanding of the archive. Indeed, such works define a notion of archiving not as the passive preservation of audiovisual signs but as an intervention and the creative rearticulation of cinema's perceptual and political textures. Connecting psychoanalysis, phenomenology, and feminist theory in innovative ways, Torlasco analyzes cutting-edge digital works that engage with the past of European cinema and visual culture, including video installations by Monica Bonvicini (Destroy She Said) and Pierre Huyghe (The Ellipsis), Agnès Varda's film The Gleaners and I, Marco Poloni's multimedia installation The Desert Room, and Chris Marker's CD-ROM Immemory. Torlasco's central claim is that if the archives of psychoanalysis and cinema have long privileged the lineage that runs from Oedipus to Freud, the archives of the digital age-what she calls the "heretical archive"-can help us imagine an unruly, porous, multifaceted legacy, one in which marginal figures return to speak of lost life as much as of life that demands to be lived.
Contents:
The Heretical Archive: Digital Memory at the end of Film
Contents
Acknowledgments
Introduction
Chapter One: Against House Arrest
Chapter Two: Digital Impressions: Writing Memory after Agnès Varda
Chapter Three: Folding Time: Toward a New Theory of Montage
Chapter Four: Archiving Disappearance: From Michelangelo Antonioni to New Media
Notes
Index
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
Z.
Notes:
Bibliographic Level Mode of Issuance: Monograph
ISBN:
1-4529-3965-9

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account