My Account Log in

3 options

Hollow men : writing, objects, and public image in Renaissance Italy / Susan Gaylard.

De Gruyter Fordham University Press Complete eBook-Package Pre-2014 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Gaylard, Susan.
Language:
English
Subjects (All):
Italian literature--To 1400--History and criticism.
Italian literature.
Italian literature--15th century--History and criticism.
Italian language--Early modern, 1500-1700.
Italian language.
Art, Renaissance--Italy--History.
Art, Renaissance.
Masculinity in literature.
Masculinity in art.
Renaissance--Italy.
Renaissance.
Physical Description:
1 online resource (384 p.)
Edition:
1st ed.
Place of Publication:
New York : Fordham University Press, 2013.
Language Note:
English
Summary:
This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation. Hollow Men shows that the Renaissance questioning of “interiority” derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image.
Contents:
Front matter
Contents
Acknowledgments
Introduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina
1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity
2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina
3. Banishing the Hollow Man: Print, Clothing, and Aretino’s Emblems of Truth
4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books
5. Silenus Strategies: The Failure of Personal Emblems
Afterword
Notes
Works Cited
Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on publisher supplied metadata and other sources.
ISBN:
9780823252176
0823252175
9780823252183
0823252183
9780823252855
082325285X
9780823251759
0823251756
OCLC:
847005647

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account