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The premise of fidelity : science, visuality, and representing the real in nineteenth-century Japan / Maki Fukuoka.

De Gruyter Stanford University Press Backlist eBook-Package 2000-2013 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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EBSCOhost eBook History Collection - North America Available online

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Format:
Book
Author/Creator:
Fukuoka, Maki, 1972-
Language:
English
Subjects (All):
Art and science--Japan--History--19th century.
Art and science.
Botanical illustration--Japan--History--19th century.
Botanical illustration.
Plant prints--Japan--History--19th century.
Plant prints.
Photography--Japan--History--19th century.
Photography.
Realism in art--Japan--History--19th century.
Realism in art.
Physical Description:
1 online resource (301 p.)
Edition:
1st ed.
Place of Publication:
Stanford Stanford University Press 2012
Summary:
The Premise of Fidelity: Science, Visuality, and Representing the Real in Nineteenth century Japan uncovers the social and epistemological roles of the term shashin within the scientific community before the term came to mean photography.
Contents:
Intro
Contents
List of Figures
Acknowledgments
Note on Names
Introduction
1. The Eye of the Shōhyaku-sha: Between Seeing and Knowing
2. Ways of Conceptualizing the Real: Scripts, Names, and Materia Medica
3. Modes of Observation and the Real: Exhibition Practices of the Shōhyaku-sha
4. Picturing the Real: Questions of Fidelity and Processes of Pictorial Representation
5. Shashin in the Capital: The Last Stage of Metamorphosis
Appendix: Takahashi Yuichi, "Yōgakyoku tekigen" (1865)
Notes
Glossary
Works Cited
Index.
Notes:
Description based upon print version of record.
Includes bibliographical references (p. [243]-253) and index.
Description based on publisher supplied metadata and other sources.
ISBN:
9780804784627
0804784620
OCLC:
804661332

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