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The premise of fidelity : science, visuality, and representing the real in nineteenth-century Japan / Maki Fukuoka.
- Format:
- Book
- Author/Creator:
- Fukuoka, Maki, 1972-
- Language:
- English
- Subjects (All):
- Art and science--Japan--History--19th century.
- Art and science.
- Botanical illustration--Japan--History--19th century.
- Botanical illustration.
- Plant prints--Japan--History--19th century.
- Plant prints.
- Photography--Japan--History--19th century.
- Photography.
- Realism in art--Japan--History--19th century.
- Realism in art.
- Physical Description:
- 1 online resource (301 p.)
- Edition:
- 1st ed.
- Place of Publication:
- Stanford Stanford University Press 2012
- Summary:
- The Premise of Fidelity: Science, Visuality, and Representing the Real in Nineteenth century Japan uncovers the social and epistemological roles of the term shashin within the scientific community before the term came to mean photography.
- Contents:
- Intro
- Contents
- List of Figures
- Acknowledgments
- Note on Names
- Introduction
- 1. The Eye of the Shōhyaku-sha: Between Seeing and Knowing
- 2. Ways of Conceptualizing the Real: Scripts, Names, and Materia Medica
- 3. Modes of Observation and the Real: Exhibition Practices of the Shōhyaku-sha
- 4. Picturing the Real: Questions of Fidelity and Processes of Pictorial Representation
- 5. Shashin in the Capital: The Last Stage of Metamorphosis
- Appendix: Takahashi Yuichi, "Yōgakyoku tekigen" (1865)
- Notes
- Glossary
- Works Cited
- Index.
- Notes:
- Description based upon print version of record.
- Includes bibliographical references (p. [243]-253) and index.
- Description based on publisher supplied metadata and other sources.
- ISBN:
- 9780804784627
- 0804784620
- OCLC:
- 804661332
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