Shelley and his readers : beyond paranoid politics / Kim Wheatley.

Format:

Book

Author/Creator:

Wheatley, Kim, 1960-

Language:

English

Subjects (All):

Shelley, Percy Bysshe, 1792-1822--Criticism and interpretation--History.

Shelley, Percy Bysshe.

Politics and literature--Great Britain--History--19th century.

Politics and literature.

Authors and readers--Great Britain--History--19th century.

Authors and readers.

Criticism--Great Britain--History--19th century.

Criticism.

Poetry--History and criticism--Theory, etc.

Poetry.

Physical Description:

1 online resource (292 p.)

Edition:

1st ed.

Place of Publication:

Columbia : University of Missouri Press, c1999.

Language Note:

English

Summary:

In Shelley & His Readers, the first full-length critical analysis of the dialogue between Shelley's poetry & its contemporary reviewers, Kim Wheatley argues that Shelley's idealism can be recovered through the study of its reception. Incorporating extensive research in major early-nineteenth-century British periodicals, Wheatley integrates a reception-based methodology with careful textual analysis to demonstrate that the contemporary reception of Shelley's work registers the immediate impact of the poet's increasingly idealistic passion for reforming the world. Wheatley examines Shelley's poetry within the context of Romantic-era "paranoid politics," a heightened language of defensiveness & persecution incorporating Miltonic & apocalyptic imagery that paints adversaries as Satanic rebels against the orthodoxy. A simultaneously empowering & disabling dynamic, the paranoid style embodies a preoccupation with the efficacy of the printed word, thus singling out radical writers such as Shelley for personal attacks. Using Shelley's Queen Mab as an example of his early radical poetry, Wheatley demonstrates that the poet, like his contemporary reviewers, is caught up in the paranoid rhetoric. Failing to challenge the assumptions of paranoid politics-conspiracy & contagion-Shelley takes merely an oppositional stance. However, Shelley's later poems, exemplified by Prometheus Unbound & Adonais, introduce a boldly innovative approach. These less explicitly political poems transcend the dynamics of paranoid politics by incorporating an experimental language that creates an interplay between poem & reader. Shifting to an apolitical conception of the aesthetic, Shelley's poetry is able to move beyond cultural paranoia. The final chapter of this study argues that the posthumous reception of Adonais uniquely replicates the elegiac moves & complex idealism of the poem, concluding with a discussion of how the Shelley circle aestheticized the poet after his death. Shelley & His Readers offers a new approach to the question of how to recuperate Romantic idealism in the face of such literary criticism as deconstructionism & historicism. The innovative use of reception-based methodology will make this book invaluable not only to specialists of the Romantic period but also to anyone interested in literary criticism.

Contents:

Intro

Contents

Acknowledgments

Abbreviations

Introduction

Notes

Works Cited

Index.

Notes:

Bibliographic Level Mode of Issuance: Monograph

Includes bibliographical references (p. 259-271) and index.

ISBN:

0-8262-6209-0

OCLC:

179148637