My Account Log in

4 options

The money shot : trash, class, and the making of TV talk shows / Laura Grindstaff.

De Gruyter University of Chicago Press eBook-Package Backlist 2000-2013 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Grindstaff, Laura.
Language:
English
Subjects (All):
Television talk shows--United States.
Television talk shows.
Nonfiction television programs--United States.
Nonfiction television programs.
Physical Description:
1 online resource (331 p.)
Edition:
1st ed.
Place of Publication:
Chicago : University of Chicago Press, 2002.
Language Note:
English
Summary:
He leaped from his chair, ripped off his microphone, and lunged at his ex-wife. Security guards rushed to intercept him. The audience screamed, then cheered. Were producers concerned? Not at all. They were getting what they wanted: the money shot. From "classy" shows like Oprah to "trashy" shows like Jerry Springer, the key to a talk show's success is what Laura Grindstaff calls the money shot-moments when guests lose control and express joy, sorrow, rage, or remorse on camera. In this new work, Grindstaff takes us behind the scenes of daytime television talk shows, a genre focused on "real" stories told by "ordinary" people. Drawing on extensive interviews with producers and guests, her own attendance of dozens of live tapings around the country, and more than a year's experience working on two nationally televised shows, Grindstaff shows us how producers elicit dramatic performances from guests, why guests agree to participate, and the supporting roles played by studio audiences and experts. Grindstaff traces the career of the money shot, examining how producers make stars and experts out of ordinary people, in the process reproducing old forms of cultural hierarchy and class inequality even while seeming to challenge them. She argues that the daytime talk show does give voice to people normally excluded from the media spotlight, but it lets them speak only in certain ways and under certain rules and conditions. Working to understand the genre from the inside rather than pass judgment on it from the outside, Grindstaff asks not just what talk shows can tell us about mass media, but also what they reveal about American culture more generally.
Contents:
Frontmatter
Contents
Acknowledgments
A Word about Names
The Principal Cast
Prologue. Setting the Stage
CHAPTER ONE. Airing Dirty Laundry
CHAPTER TWO. The Genre Goes Hard-Core: A Brief History
CHAPTER THREE. Talk as Work: Routinizing the Production Process
CHAPTER FOUR. Talk as Show (a Show of Emotion)
CHAPTER FIVE. The Other Side of the Camera: Motives and Misgivings
CHAPTER SIX. Inside the Fun House
CHAPTER SEVEN. Will the Real Expert Please Stand Up?
CHAPTER EIGHT. Trash, Class, and Cultural Hierarchy
EPILOGUE. Airing Another Kind of Dirty Laundry: Confessions of a Feminist Fieldworker
REFERENCES
INDEX
Notes:
Description based upon print version of record.
Includes bibliographical references (p. 289-299) and index.
ISBN:
9786612738425
9781282738423
1282738429
9780226309088
0226309088
OCLC:
655848199

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account