My Account Log in

3 options

Murder most foul : the killer and the American Gothic imagination / Karen Halttunen.

De Gruyter Harvard University Press eBook Package Archive 1896-1999 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Halttunen, Karen, 1951-
Language:
English
Subjects (All):
Gothic revival (Literature)--United States.
Gothic revival (Literature).
Murder in literature.
Murder--United States--Case studies.
Murder.
Murder--United States--History.
Physical Description:
1 online resource (xiv, 322p., [32]p. of plates ) ill., facsims., plan, ports.
Edition:
1st ed.
Place of Publication:
Cambridge, Mass. : Harvard University Press, 1998.
Language Note:
English
Summary:
In this text, Karen Halttunen explores the changing view of murder from early New England sermons read at the public executions, through to the true crime literature and tabloid reporting of the late 1990's. Confronting murder in the newspaper, on screen, and in sensational trials, we often feel the killer is fundamentally incomprehensible and morally alien. But this was not always the popular response to murder. In Murder Most Foul , Karen Halttunen explores the changing view of murder from early New England sermons read at the public execution of murderers, through the nineteenth century, when secular and sensational accounts replaced the sacred treatment of the crime, to today's true crime literature and tabloid reports. The early narratives were shaped by a strong belief in original sin and spiritual redemption, by the idea that all murders were natural manifestations of the innate depravity of humankind. In a dramatic departure from that view, the Gothic imagination--with its central conventions of the fundamental horror and mystery of the crime--seized upon the murderer as a moral monster, separated from the normal majority by an impassable gulf. Halttunen shows how this perception helped shape the modern response to criminal transgression, mandating criminal incarceration, and informing a social-scientific model of criminal deviance. The Gothic expression of horror and inhumanity is the predominant response to radical evil today; it has provided a set of conventions surrounding tales of murder that appear to be natural and instinctive, when in fact they are rooted in the nineteenth century. Halttunen's penetrating insight into her extraordinary treasure trove of creepy popular crime literature reveals how our stories have failed to make sense of the killer and how that failure has constrained our understanding and treatment of criminality today.
Contents:
Introduction 1. The Murderer as Common Sinner 2. The Birth of Horror 3. The Pornography of Violence 4. The Construction of Murder as Mystery 5. Murder in the Family Circle 6. Murdering Medusa 7. The Murderer as Mental Alien Epilogue Notes Index
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (p. 253-312) and index.
ISBN:
9780674038172
0674038177
OCLC:
923115971

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account