Sincerity's shadow : self-consciousness in British romantic and mid-twentieth-century American poetry / Deborah Forbes.

Format:

Book

Author/Creator:

Forbes, Deborah.

Language:

English

Subjects (All):

English poetry--19th century--History and criticism.

English poetry.

Self-consciousness (Awareness) in literature.

American poetry--20th century--History and criticism.

American poetry.

Postmodernism (Literature)--English-speaking countries.

Postmodernism (Literature).

Romanticism--English-speaking countries.

Romanticism.

Sincerity in literature.

Self in literature.

Physical Description:

1 online resource (viii, 244 p.)

Edition:

1st ed.

Place of Publication:

Cambridge, Mass. : Harvard University Press, 2004.

Language Note:

English

Summary:

In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Deborah Forbes reveals unexpected convergences of poetic strategy.

In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry.

Contents:

Introduction 1. The Personal Universal Sincerity as Integrity in the Poetry of Wordsworth and Rich 2. Before and After Sincerity as Form in the Poetry of Wordsworth, Lowell, Rich, and Plath 3. Sincerity and the Staged Confession The Monologues of Browning, Eliot, Berryman, and Plath 4. The Drama of Breakdown and the Breakdown of Drama The Charismatic Poetry of Byron and Sexton 5. Agnostic Sincerity The Poet as Observer in the Work of Keats, Bishop, and Merrill Conclusion Notes Index

Notes:

Formerly CIP.

Includes bibliographical references (p. [197]-239) and index.

ISBN:

9780674037106

0674037103

OCLC:

923112464