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Oye como va! : hybridity and identity in Latino popular music / Deborah Pacini Hernandez.

ACLS Humanities eBook Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Author/Creator:
Pacini Hernandez, Deborah.
Language:
English
Subjects (All):
Hispanic Americans--Music--Social aspects.
Hispanic Americans.
Popular music--Social aspects--United States.
Popular music.
Physical Description:
1 online resource (238 p.)
Edition:
1st ed.
Place of Publication:
Philadelphia : Temple University Press, c2010.
Language Note:
English
Summary:
Listen Up! When the New York-born Tito Puente composed ""Oye Como Va!"" in the 1960's, his popular song was called ""Latin"" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente's tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands with other sounds in our multicultural society, challenging ideas of what ""Latin"" music is or ought to be. Waves of immigrants...
Contents:
Contents; Preface; 1 Introduction: Hybridity, Identity, and Latino Popular Music; 2 Historical Perspectives on Latinos and the Latin Music Industry; 3 To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock 'n' Roll; 4 Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitries; 5 New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Dominican Popular Music; 6 From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and Mestizaje; 7 Marketing Latinidad in a Global Era; Notes; Selected Bibliography; Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
ISBN:
9786612505911
9781282505919
1282505912
9781439900918
1439900914
OCLC:
607553992
Publisher Number:
heb40328 hdl

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