The perversity of poetry : romantic ideology and the popular male poet of genius / Dino Franco Felluga.

Format:

Book

Author/Creator:

Felluga, Dino Franco, 1966-

Language:

English

Subjects (All):

Byron, George Gordon Byron, Baron, 1788-1824--Appreciation.

Byron, George Gordon Byron.

Scott, Walter, 1771-1832--Poetic works.

Scott, Walter.

Scott, Walter, 1771-1832--Appreciation.

English poetry--Male authors--History and criticism.

English poetry.

Popular literature--Great Britain--History and criticism.

Popular literature.

English poetry--19th century--History and criticism.

Creation (Literary, artistic, etc.).

Romanticism--Great Britain.

Romanticism.

Masculinity in literature.

Genius in literature.

Men in literature.

Physical Description:

1 online resource (221 p.)

Edition:

1st ed.

Place of Publication:

Albany : State University of New York Press, c2005.

Language Note:

English

Summary:

Once the dominant literary form, poetry was gradually eclipsed by the realist novel; indeed, by 1940 W. H. Auden was able to note, "Poetry makes nothing happen." In The Perversity of Poetry, Dino Franco Felluga explores the cultural background of poetry's marginalization by examining nineteenth-century reactions to Romantic poetry and ideology. Focusing on the work of Sir Walter Scott and Lord Byron, as well as periodical reviews, student manuals, and contemporary medical journals, the book details the period's two contending (and equally outrageous) claims regarding poetry. Scott's poetry, on the one hand, was continually represented as a panacea for a modern world overtaken by new principles of utilitarianism, capitalism, industrialism, and democracy. Byron's, by contrast, was represented either as a cancer in the heart of the social order or as a contagious pandemic leading to various pathological symptoms. The book concludes with a coda on Alfred Lord Tennyson, which illustrates how the Victorian reception of Scott and Byron affected the most popular poetic genius of midcentury. Ultimately, The Perversity of Poetry uncovers how the shift to a rhetoric of health allowed critics to oppose what they perceived as a potent and potentially dangerous influence on the age, the very thing that would over the course of the century be marginalized into such obscurity: poetry, thanks to its perverse insistence on making something happen.

Contents:

Front Matter

Contents

Acknowledgments

Abbreviations

Introduction

Diagnosing Genius

Romanticism’S Last Minstrel

Byron’s Spectropoetics and Revolution

Poetry and Pathology

Coda

Notes

Works Cited

Index

Notes:

Bibliographic Level Mode of Issuance: Monograph

Includes bibliographical references (p. 183-198) and index.

ISBN:

9780791483978

0791483975

9781423743651

1423743652

OCLC:

461441790