Wrestling with the muse : Dudley Randall and the Broadside Press / Melba Joyce Boyd.

Format:

Book

Author/Creator:

Boyd, Melba Joyce.

Language:

English

Subjects (All):

Randall, Dudley, 1914-2000.

Randall, Dudley.

Broadside Press.

American literature--African American authors--Publishing--Michigan--Detroit.

American literature.

Literature publishing--Michigan--Detroit--History--20th century.

Literature publishing.

Publishers and publishing--United States--Biography.

Publishers and publishing.

African American arts--Michigan--Detroit.

African American arts.

Poets, American--20th century--Biography.

Poets, American.

African American poets--Biography.

African American poets.

Physical Description:

1 online resource (683 p.)

Place of Publication:

New York : Columbia University Press, c2003.

Language Note:

English

Summary:

And as I groped in darkness and felt the pain of millions, gradually, like day driving night across the continent, I saw dawn upon them like the sun a vision.-Dudley Randall, from "Roses and Revolutions" In 1963, the African American poet Dudley Randall (1914-2000) wrote "The Ballad of Birmingham" in response to the bombing of a church in Alabama that killed four young black girls, and "Dressed All in Pink," about the assassination of President Kennedy. When both were set to music by folk singer Jerry Moore in 1965, Randall published them as broadsides. Thus was born the Broadside Press, whose popular chapbooks opened the canon of American literature to the works of African American writers. Dudley Randall, one of the great success stories of American small-press history, was also poet laureate of Detroit, a civil-rights activist, and a force in the Black Arts Movement. Melba Joyce Boyd was an editor at Broadside, was Randall's friend and colleague for twenty-eight years, and became his authorized biographer. Her book is an account of the interconnections between urban and labor politics in Detroit and the broader struggles of black America before and during the Civil Rights era. But also, through Randall's poetry and sixteen years of interviews, the narrative is a multipart dialogue between poets, Randall, the author, and the history of American letters itself, and it affords unique insights into the life and work of this crucial figure.

Contents:

Front matter

Contents

List of Illustrations

Acknowledgments

Introduction. Wrestling with the Muse

1. Beginnings and Endings

2. The Fertile Black Bottom of Paradise Valley

3. Poets of Black Bottom: Dudley Randall Meets Robert Hayden

4. War at Home and Abroad

5. The Return: Poetry and Prophecy

6. Sojourn and Return

7. The Emergence of the Second Renaissance in Detroit

8. "Ballad of Birmingham": The Founding of Broadside Press and the Black Arts Movement

9. "Ya Vas Lyubil": Alexander Pushkin, Dudley Randall, and the Black Russian Connection

10. Cultural Wars and Civil Wars

11. "Prophets for a New Day": Diversity and Heritage

12. The New Black Poets

13. Dudley Randall's Poetic Dialectics and the Black Arts Movement

14. "After the Killing": Dudley Randall's Black Arts Poetry

15. Poetry as Industry

16. "Shape of the Invisible": The Rise and Fall of Broadside Press

17. "In the Mourning Time": The Return

18. A Poet Is Not a Jukebox

19. At Peace with the Muse

20. "The Ascent"

Epilogue

Appendix I: Translating Poetry into Film: The Black Unicorn: Dudley Randall and the Broadside Press

Appendix II: Worksheets for "Frederick Douglass and the Slave Breaker"

Notes

Bibliography

Index

Backmatter

Notes:

Description based upon print version of record.

Includes bibliographical references (p. [363]-370) and index.

ISBN:

9780231503648

0231503644

OCLC:

826476098