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Dante and the origins of Italian literary culture / Teodolinda Barolini.

De Gruyter Fordham University Press Complete eBook-Package Pre-2014 Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Author/Creator:
Barolini, Teodolinda, 1951-
Language:
English
Subjects (All):
Dante Alighieri, 1265-1321--Influence--Italy.
Dante Alighieri.
Italian literature--History and criticism.
Italian literature.
Physical Description:
1 online resource (484 p.)
Edition:
1st ed.
Place of Publication:
New York : Fordham University Press, 2006.
Language Note:
English
Summary:
In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its “three crowns”: Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante’s Vita nuova, Petrarch’s lyric sequence, and Boccaccio’s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante’s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women’s use and instruction, as explored by Guittone, Dante, and Boccaccio—but not by Petrarch—were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in “Dante and the Lyric Past” to Petrarch’s regressive stance on gender in “Notes toward a Gendered History of Italian Literature”—and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d’Arezzo—these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike.
Contents:
Front matter
Contents
Introduction Reading Against the Grain: Musings of an Italianist, from the Astral to the Artisanal
1. Dante and the Lyric Past
2. Guittone’s Ora parrà, Dante’s Doglia mi reca, and the Commedia’s Anatomy of Desire
3. Dante and Cavalcanti (On Making Distinctions in Matters of Love): Inferno 5 in Its Lyric and Autobiographical Context
4. Medieval Multiculturalism and Dante’s Theology of Hell
5. Why Did Dante Write the Commedia? Dante and the Visionary Tradition
6. Minos’s Tail: The Labor of Devising Hell (Aeneid 6.431–33 and Inferno 5.1–24)
7. Q: Does Dante Hope for Vergil’s Salvation? A: Why Do We Care? For the Very Reason We Should Not Ask the Question
8. Arachne, Argus, and St. John: Transgressive Art in Dante and Ovid
9. Cominciandomi dal principio infino a la fine: Forging Anti-narrative in the Vita nuova
10. The Making of a Lyric Sequence: Time and Narrative in Petrarch’s Rerum vulgarium fragmenta
11. The Wheel of the Decameron
12. Editing Dante’s Rime and Italian Cultural History: Dante, Boccaccio, Petrarca . . . Barbi, Contini, Foster-Boyde, De Robertis
13. Le parole son femmine e i fatti son maschi: Toward a Sexual Poetics of the Decameron (Decameron 2.9, 2.10, 5.10)
14. Dante and Francesca da Rimini: Realpolitik, Romance, and Gender
15. Sotto benda: Gender in the Lyrics of Dante and Guittone d’Arezzo (With a Brief Excursus on Cecco d’Ascoli)
16. Notes toward a Gendered History of Italian Literature, with a Discussion of Dante’s Beatrix Loquax
Notes
Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
Description based on publisher supplied metadata and other sources.
ISBN:
9786612698453
9780823227105
0823227103
9780823247653
0823247651
9780823241019
0823241017
9781282698451
1282698451
9780823237548
0823237540
9780823227051
0823227057
9781429479189
1429479183
OCLC:
727645677

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