My Account Log in

7 options

Video revolutions : on the history of a medium / Michael Z. Newman ; cover design by Jason Alejandro ; cover art by Hollis Brown Thornton.

De Gruyter Columbia University Press Complete eBook-Package 2014-2015 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

EBSCOhost eBook History Collection - North America Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central College Complete Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Newman, Michael Z., author.
Contributor:
Alejandro, Jason, cover designer.
Thornton, Hollis Brown, cover designer.
Language:
English
Subjects (All):
Video recordings--History.
Video recordings.
Physical Description:
1 online resource (159 p.)
Place of Publication:
New York ; Chichester, England : Columbia University Press, 2014.
Language Note:
English
Summary:
Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the present-often the very problems associated with television and the society shaped by it-and to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.
Contents:
Front matter
Contents
Preface
Acknowledgments
1. Three Phases
2. Video as Television
3. Video as Alternative
4. Video as the Moving Image
5. Medium and Cultural Status
Notes
Select Bibliography
Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on print version record.
ISBN:
9780231537759
0231537751
OCLC:
873136813

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account