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Hollywood's last golden age : politics, society, and the seventies film in America / Jonathan Kirshner.

De Gruyter Cornell University Press eBook Package 2000-2013 Available online

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Format:
Book
Author/Creator:
Kirshner, Jonathan.
Language:
English
Subjects (All):
Motion pictures--United States--History--20th century.
Motion pictures.
Motion pictures--Social aspects--United States.
United States--Social conditions--1960-1980.
United States.
Physical Description:
1 online resource (281 p.)
Edition:
1st ed.
Place of Publication:
Ithaca : Cornell University Press, 2013.
Language Note:
English
Summary:
Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period-including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves-were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970's largely ended Hollywood's embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters' interior lives.
Contents:
Before the flood
Talkin' 'bout my generation
1968, Nixon, and the inward turn
The personal is political
Crumbling cities and revisionist history
Privacy, paranoia, disillusion, and betrayal
White knights in existential despair
Businessmen drink my wine
Appendix : 100 "seventies" films of the last golden age.
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references and index.
Description based on print version record and CIP data provided by publisher; resource not viewed.
ISBN:
0-8014-6540-0
1-322-50385-0
0-8014-6584-2
OCLC:
820861325

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