Deadwood / Ina Rae Hark.

Format:

Book

Author/Creator:

Hark, Ina Rae.

Series:

Contemporary approaches to film and television series. TV milestones.

TV milestones series

Language:

English

Subjects (All):

Deadwood (Television program).

Physical Description:

1 online resource (129 p.)

Edition:

1st ed.

Place of Publication:

Detroit : Wayne State University Press, c2012.

Language Note:

English

Summary:

Considers the HBO series Deadwood in the context of the television Western genre and the intersection of capital and violence in American history. By dramatizing the intersection of self-interested capitalism and foundational violence in a mining camp in 1870s South Dakota, the HBO series Deadwood reinvented the television Western. In this volume, Ina Rae Hark examines the groundbreaking series from a variety of angles: its relationship to past iterations of the genre on the small screen; its production context, both within the HBO paradigm and as part of the oeuvre of its creator and showrunner David Milch; and its thematics. Hark's comprehensive analysis also takes into account the series' trademark use of language: both its unrelenting and ferocious obscenity and the brilliant complexity of its dialogue. Hark argues that Deadwood dissolves several traditional binaries of the Western genre. She demonstrates that while the show appears to pit individuality, savagery, lawlessness, social regulation, and civilization against each other, its narrative shows that apparent opposites are often analogues, and these forces can morph into allies very quickly. Indeed, perhaps the show's biggest paradox and most profound revelation is that self-interest and communitarianism cannot survive without each other. Hark closely analyzes Al Swearengen (as played by Ian McShane), the character who most embodies this paradox. A brutal cutthroat and purveyor of any vice that can turn him a profit, Swearengen nevertheless becomes the figure who forges connections among the camp's disparate individuals and shepherds their growth into a community. Deadwood is quintessentially, if unflatteringly, American in what it reveals about the dark underpinnings of national success rooted not in some renewed Eden but in a town that is, in the apt words of one of its promotional taglines, "a hell of a place to make your fortune." Fans of the show and scholars of television history will enjoy Hark's analysis of Deadwood.

Contents:

Introduction

It's not a western-it's an HBO western

David Milch's Deadwood

Language, decent and otherwise

The social dynamics of violence and alliance

Deadwood's political economic narrative

Women and power

Dirt worshippers and celestials and niggers- oh, my!

Conclusion.

Notes:

Bibliographic Level Mode of Issuance: Monograph

Includes bibliographical references (p. 115-117) and index.

ISBN:

9780814336601

0814336604

OCLC:

794004363