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The stuff of fiction : advice on craft / Douglas Bauer.
- Format:
- Book
- Author/Creator:
- Bauer, Douglas.
- Language:
- English
- Subjects (All):
- Fiction--Authorship.
- Fiction.
- Physical Description:
- 1 online resource (201 p.)
- Edition:
- Rev. & enl. ed.
- Place of Publication:
- Ann Arbor : University of Michigan Press, c2006.
- Language Note:
- English
- Summary:
- In this book, prizewinning novelist and popular creative writing instructor Douglas Bauer (The Book of Famous Iowans) shares the secrets of his trade. Talent, as Bauer acknowledges, is the most crucial element for a writer and cannot be taught. But without a regular habit of work, and a perseverance of effort, no amount of talent can come forward and be recognized. His lively and candid essays on subjects critical to the fiction writers success demystify the essential elements of fiction writing, how they work, and work together. Bauers focus is on the building blocks of successful fiction: dialogue (the intimate relationship between characters talking and the eavesdropping reader), characters (the virtues of creating fictional characters that are both splendidly flawed and sympathetic), and dramatic events (ways to create moments that produce an emotional and psychological impact). There are also chapters on crafting effective openings and memorable closings of stories and on the vital presence of sentiment in fiction versus the ruinous effect of sentimentality. By assuming the point of view of someone at the task, engaged with the work, inside the effort to bring an invented world to life, The Stuff of Fiction speaks to writers of all ages in a pleasurable yet practical voice. Douglas Bauer is the author of three novels, Dexterity, The Very Air, and The Book of Famous Iowans, and one book of nonfiction, Prairie City, Iowa. He is also a core faculty member with the MFA Program at Bennington College and has received a National Endowment for the Arts grant, a Massachusetts Artists Foundation grant, and two Harvard Danforth Excellence in Teaching Citations.
- Contents:
- Intro
- Contents
- Introduction
- Openings: Ways of Starting the Story
- Exercise: And So We Begin
- Sentences: Doing the Dusty Work
- Exercise: How Sentences Work
- Dialogue: The Reader as Eavesdropper
- Exercise: Think of Your Ears as Magnets
- Putting It in Context: Foreground Needs Background
- Exercise: But Why Did the Queen Die?
- Implicit Narrative: Achieving Subtlety while Avoiding Confusion
- Exercise: Presence and Absence
- Characters: Flawed Heroes and Sympathetic Villains
- Exercise: Making Heroes Flawed
- High Events: The Treatment of Dramatic Moments
- Exercise: The Richness of the Resonance
- Sentiment versus Sentimentality: The First, Always
- the Second, Never
- Exercise: No Cheating Allowed
- Closings: Ways of Ending the Story
- Exercise: Finally
- Conclusion
- Works Cited or Discussed.
- Notes:
- Bibliographic Level Mode of Issuance: Monograph
- Includes bibliographical references (p. [187]-189).
- Description based on information from the publisher.
- ISBN:
- 1-282-63907-2
- 9786612639074
- 0-472-02627-5
- OCLC:
- 649914274
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