Deleuze and film music : building a methodological bridge between film theory and music / by Gregg Redner.

Format:

Book

Author/Creator:

Redner, Gregg.

Language:

English

Subjects (All):

Motion picture music.

Music--Philosophy and aesthetics.

Music.

Physical Description:

1 online resource (204 p.)

Edition:

1st ed.

Place of Publication:

Bristol [U.K.] : Intellect, 2011.

Language Note:

English

Summary:

The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film

Contents:

Front Cover; Preliminary Pages; Contents; Foreword; Chapter One: Introduction; Chapter Two: Methodology; Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante; Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden; Chapter Five: Dmitri Shostakovich's Score for Kozintsev's Hamlet; Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue; Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores For T; Chapter Eight: Conclusion; References

Corpus of FilmsFilms Cited In Text

Notes:

Description based upon print version of record.

Includes bibliographical references (p. 177-186).

ISBN:

9786612896095

9781282896093

1282896091

9781841504377

1841504378

OCLC:

680775522