Singing, acting, and movement in opera : a guide to singer-getics / Mark Ross Clark ; Lynn V. Clark, curriculum designer.

Format:

Book

Author/Creator:

Clark, Mark Ross, 1951-

Contributor:

Clark, Lynn V.

Language:

English

Subjects (All):

Acting in opera.

Singing--Interpretation (Phrasing, dynamics, etc.).

Singing.

Physical Description:

1 online resource (171 p.)

Edition:

1st ed.

Place of Publication:

Bloomington : Indiana University Press, c2002.

Language Note:

English

Summary:

..". a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating opera magic. " Tito Capobianco Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student s active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike."

Contents:

Intro

CONTENTS

Foreword: A Message from Tito Capobianco

List of Interviews

Using the Guide

Part I. Preparation

Body Awareness

Postural

The Expressive Face

Character Study

Environment

Part II. Integration

Elements of Stagecraft

Historical Etiquette

Improvisation

Monologues

Physical Analysis

Part III. Application

The Aria

The Scene

The Opera

Performance Anxiety

Careers in Opera

Appendix A. Attitude Chart

Appendix B. Postural Alignment

Appendix C. Literary and Historical Background of Selected Operas

Appendix D. Stage Manager's Handbook

Appendix E. Stage Combat:

Bibliography

Index.

Notes:

Bibliographic Level Mode of Issuance: Monograph

Includes bibliographical references (p. [149]-150) and index.

ISBN:

1-282-06305-7

0-253-10939-6

OCLC:

50724033