Wit's end : women's humor as rhetorical & performative strategy / Sean Zwagerman.

Format:

Book

Author/Creator:

Zwagerman, Sean, author.

Series:

Pittsburgh series in composition, literacy, and culture.

Pittsburgh Series in Composition, Literacy, and Culture

Language:

English

Subjects (All):

American wit and humor--History and criticism.

American wit and humor.

American literature--20th century--History and criticism.

American literature.

Humor in literature.

Women in literature.

Physical Description:

1 online resource (252 p.)

Edition:

1st ed.

Place of Publication:

Pittsburgh, Pennsylvania : University of Pittsburgh Press, 2010.

Language Note:

English

Summary:

In Wit's End, Sean Zwagerman offers an original perspective on women's use of humor as a performative strategy as seen in works of twentieth-century American literature. He argues that women whose direct, explicit performative speech has been traditionally denied, or not taken seriously, have often turned to humor as a means of communicating with men.The book examines both the potential and limits of women's humor as a rhetorical strategy in the writings of James Thurber, Zora Neale Hurston, Dorothy Parker, Edward Albee, Louise Erdrich, and others. For Zwagerman, these texts "talk back" to important arguments in humor studies and speech-act theory. He deconstructs the use of humor in select passages by employing the theories of J. L. Austin, John Searle, Jacques Derrida, Shoshana Felman, J. Hillis Miller, and Eve Kosofsky Sedgwick. Zwagerman offers arguments both for and against these approaches while advancing new thinking on humor as the "end"-both the goal and limit-of performative strategy, and as a means of expressing a full range of serious purposes.Zwagerman contends that women's humor is not solely a subversive act, but instead it should be viewed in the total speech situation through context, motives, and intended audience. Not strictly a transgressive influence, women's humor is seen as both a social corrective and a reinforcement of established ideologies. Humor has become an epistemology, an "attitude" or slant on one's relation to society.Zwagerman seeks to broaden the scope of performativity theory beyond the logical pragmatism of deconstruction and looks to the use of humor in literature as a deliberate stylization of experiences found in real-world social structures, and as a tool for change.Zwagerman contends that women\u2019s humor is not solely a subversive act, but instead it should be viewed in the total speech situation through context, motives, and intended audience. Not strictly a transgressive influence, women\u2019s humor is seen as both a social corrective and a reinforcement of established ideologies. Humor has become an epistemology, an \u201cattitude\u201d or slant on one\u2019s relation to society.Zwagerman seeks to broaden the scope of performativity theory beyond the logical pragmatism of deconstruction and looks to the use of humor in literature as a deliberate stylization of experiences found in real-world social structures, and as a tool for change.

Contents:

"Like a marriage with a monkey" : an argument for the use of speech-act theory in the analysis of humor

Subversive potential meets social resistance : women's humor in Thurber, Hurston, and Parker

Generally unhappy : the deconstruction of speech acts and Who's afraid of Virginia Woolf?

Comic relief : a stand-up performance by J.L. Austin and the consequences of not getting it

Failure revisited and authority regained : Louise Erdrich's Love medicine

Sisyphus's punch line : intentionality and wit as treatment for postmodern depression.

Notes:

Bibliographic Level Mode of Issuance: Monograph

Includes bibliographical references and index.

Description based on print version record.

ISBN:

9780822973775

0822973774

OCLC:

896846674