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Wagner Androgyne / Jean-Jacques Nattiez.

De Gruyter Princeton University Press eBook Package Archive 1927-1999 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central University Press Available online

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Music Periodicals Database (formerly International Index to Music Periodicals (IIMP+IIMP Full Text) ) Available online

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Format:
Book
Author/Creator:
Nattiez, Jean-Jacques, author.
Contributor:
Spencer, Stewart.
Series:
Princeton Legacy Library
Princeton Studies in Opera ; 24
Language:
English
Physical Description:
1 online resource (380 p.)
Edition:
Course Book
Place of Publication:
Princeton, NJ : Princeton University Press, [2014]
Language Note:
In English.
Summary:
That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche.Wagner, who wrote the libretti for the operas he composed, maintained that art is the union of the feminine principle, music, and the masculine principle, poetry. In light of this androgynous model, Nattiez reinterprets the Wagnerian canon, especially the Ring of the Nibelung, which is shown to contain a metaphorical transposition of Wagner's conception of the history of music: Siegfried appears as the poet, Brunnhilde, as music, and their union is an androgynous one in which individual identity fades and the lovers revert to a preconflictual, presexual state.Nattiez traces the androgynous symbol in Wagner's theoretical writings throughout his career. Looking to explain how this idea, so closely bound up with sexuality, took root in Wagner's mind, the author considers the possibility of Freudian and Jungian interpretations. In particular he explores the composer's relationship with his mother, a distant woman who discouraged his interest in the theater, and his stepfather, a loving man whom Wagner suspected was not only his real father but also a Jew. Along with psychoanalysis, Nattiez critically applies various structuralist and feminist theories to Wagner's creative enterprise to demonstrate how the nature of twentieth-century hermeneutics is itself androgynous.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Contents:
Frontmatter
Contents
Preface
Note to the English Edition
Bibliographical Note
PART ONE. Androgyny and the Ring: From Theory to Practice
PART TWO. Music and Poetry: The Metamorphoses of Wagnerian Androgyny
PART THREE. Wagner and Androgynous Hermeneutics
EPILOGUE. Interpreting Wagner in the Age of Doubt
Catalog of Wagner's Writings
Notes
References
Index
Notes:
Description based upon print version of record.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)
ISBN:
1-4008-6324-4
OCLC:
884012978

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