My Account Log in

7 options

Multimodal literacies and emerging genres / edited by Tracey Bowen and Carl Whithaus.

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost Ebook Education Collection Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central College Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Contributor:
Bowen, Tracey, editor.
Whithaus, Carl, editor.
Series:
Pittsburgh series in composition, literacy, and culture.
Pittsburgh series in composition, literacy, and culture
Language:
English
Subjects (All):
English language--Rhetoric--Study and teaching--Computer-assisted instruction.
English language.
Creative writing--Computer-assisted instruction.
Creative writing.
English language--Computer-assisted instruction.
Educational technology.
Physical Description:
1 online resource (369 pages) : illustrations.
Edition:
1st ed.
Place of Publication:
Pittsburgh, Pennsylvania : University of Pittsburgh Press, [2013]
Language Note:
English
Summary:
A student's avatar navigates a virtual world and communicates the desires, emotions, and fears of its creator. Yet, how can her writing instructor interpret this form of meaningmaking?Today, multiple modes of communication and information technology are challenging pedagogies in composition and across the disciplines. Writing instructors grapple with incorporating new forms into their curriculums and relating them to established literary practices. Administrators confront the application of new technologies to the restructuring of courses and the classroom itself. Multimodal Literacies and Emerging Genres examines the possibilities, challenges, and realities of mutimodal composition as an effective means of communication. The chapters view the ways that writing instructors and their students are exploring the spaces where communication occurs, while also asking "what else is possible." The genres of film, audio, photography, graphics, speeches, storyboards, PowerPoint presentations, virtual environments, written works, and others are investigated to discern both their capabilities and limitations. The contributors highlight the responsibility of instructors to guide students in the consideration of their audience and ethical responsibility, while also maintaining the ability to "speak well." Additionally, they focus on the need for programmatic changes and a shift in institutional philosophy to close a possible "digital divide" and remain relevant in digital and global economies. Embracing and advancing multimodal communication is essential to both higher education and students. The contributors therefore call for the examination of how writing programs, faculty, and administrators are responding to change, and how the many purposes writing serves can effectively converge within composition curricula.
Contents:
Intro
Contents
Acknowledgments
Introduction: "What Else is Possible": Multimodal Composing and Genre in the Teaching of Writing
Part 1. Multimodal Pedagogies That Inspire Hybrid Genres
Chapter 1. Genre and Transfer in a Multimodal Composition Class
Chapter 2. Back to the Future? The Pedagogical Promise of the (Multimedia) Essay
Chapter 3. Including, but Not Limited to, the Digital: Composing Multimodal Texts
Chapter 4. Something Old, Something New: Integrating Presentation Software into the "Writing" Course
Chapter 5. Thinking outside the Text Box: 3-D Interactive, Multimodal Literacy in a College Writing Class
Part II. Multimodal Literacies and Pedagogical Choices
Chapter 6. Invention, Ethos, and New Media in the Rhetoric Classroom: The Storyboard as Exemplary Genre
Chapter 7. Multimodal Composing, Appropriation, Remediation, and Reflection: Writing, Literature, Media
Chapter 8. Writing, Visualizing, and Research Reports
Chapter 9. Multimodality, Memory, and Evidence: How the Treasure House of Rhetoric Is Being Digitally Renovated
Part III. The Changing Structure of Composition Programs
Chapter 10. Student Mastery in Metamodal Learning Environments: Moving beyond Multimodal Literacy
Chapter 11. Multivalent Composition and the Reinvention of Expertise
Chapter 12. Going Multimodal: Programmatic, Curricular, and Classroom Change
Chapter 13. Rhetoric across Modes, Rhetoric across Campus Faculty and Students Building a Multimodal Curriculum
Contributors
Index.
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references and index.
Description based on print version record.
ISBN:
9780822978046
0822978040
OCLC:
855237482

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account