From form to meaning : freshman composition and the long sixties, 1957-1974 / David Fleming.

Format:

Book

Author/Creator:

Fleming, David, 1961- author.

Series:

Pittsburgh series in composition, literacy, and culture.

Pittsburgh series in composition, literacy, and culture

Language:

English

Subjects (All):

English language--Rhetoric--Study and teaching (Higher)--United States.

English language.

Education--Political aspects.

Education.

Report writing--Study and teaching (Higher).

Report writing.

Physical Description:

1 online resource (286 pages) : illustrations.

Edition:

1st ed.

Place of Publication:

Pittsburgh, Pennsylvania : University of Pittsburgh Press, [2011]

Language Note:

English

Summary:

In the spring of 1968, the English faculty at the University of Wisconsin-Madison (UW) voted to remedialize the first semester of its required freshman composition course, English 101. The following year, it eliminated outright the second semester course, English 102. For the next quarter-century, UW had no real campus-wide writing requirement, putting it out of step with its peer institutions and preventing it from fully joining the "composition revolution" of the 1970s. In From Form to Meaning, David Fleming chronicles these events, situating them against the backdrop of late 1960s student radicalism and within the wider changes taking place in U.S. higher education at the time. Fleming begins with the founding of UW in 1848. He examines the rhetorical education provided in the university's first half-century, the birth of a required, two semester composition course in 1898, faculty experimentation with that course in the 1920s and 1930s, and the rise of a massive "current-traditional" writing program, staffed primarily by graduate teaching assistants (TAs), after World War II. He then reveals how, starting around 1965, tensions between faculty and TAs concerning English 101-102 began to mount. By 1969, as the TAs were trying to take over the committee that supervised the course, the English faculty simply abandoned its long-standing commitment to freshman writing. In telling the story of composition's demise at UW, Fleming shows how contributing factors-the growing reliance on TAs; the questioning of traditional curricula by young instructors and their students; the disinterest of faculty in teaching and administering general education courses-were part of a larger shift affecting universities nationally. He also connects the events of this period to the long, embattled history of freshman composition in the United States. And he offers his own thoughts on the qualities of the course that have allowed it to survive and regenerate for over 125 years.

Contents:

Intro

Contents

Acknowledgments

1: Introduction: Freshman Composition in the United States, 1885-Present

2: A Prehistory, 1848-1948

3: The Postwar Regime, 1948-1968

4: Faculty Withdrawal, 1966-1969

5: TA Experimentation, 1966-1969 with Rasha Diab and Mira Shimabukuro

6: 1969 Breakdown

7: Aftermath, 1970-1996

8: Conclusion: Freshman Composition at the Turn of the New Century

Notes

Bibliography

Index.

Notes:

Bibliographic Level Mode of Issuance: Monograph

Includes bibliographical references and index.

Description based on print version record.

ISBN:

9780822977810

0822977818

OCLC:

794700635